Psa 69 | CalvinCommentaries | STEP | PSALM 69 There is a close resemblance between this psalm and the twenty-second. In the opening verses, David complains of the barbarous cruelty of his enemies, and of the grievous wrongs which they had inflicted upon him. But his mind, he affirms, was not hereby reduced to such a state of distress as to prevent him from patiently relying on the protection of God, or to discourage him from continuing in the undeviating course of a holy and an upright life. He rather testifies that his piety, and the courage and activity which he had manifested in maintaining the interests of the divine glory, were the cause of the hostility borne to him by the generality of men. After having again complained of being not less shamefully than cruelly oppressed by his enemies, he invokes God to visit them with deserved punishment. In the close, exulting as if he had obtained his highest wishes, he engages to yield to God a solemn sacrifice of praise. To the chief musician upon Shoshannim of David. We have already spoken elsewhere of the word Shoshannim. Its proper meaning is uncertain and obscure; but the most probable conjecture is, that it was the commencement of some song. If, however, any would prefer considering it as the name of some musical instrument, I have no objections. But the opinion held by some that this psalm was composed at the season of spring, when the lilies begin to blossom, is altogether unfounded and frivolous. Before proceeding farther, we would have you to observe that David wrote this inspired ode not so much in his own name, as in the name of the whole Church, of whose Head he was an eminent type, as will be more dearly brought out in the sequel. This is highly worthy of our notice, that from this consideration we may be led to contemplate with the greater attention the representation which is here given of the common condition of all the people of God. Besides, it is highly probable that David did not here comprehend only one kind of persecution, but all the evils which he had suffered during the course of many years. 1 . Save me, O God! for the waters have entered in unto my soul. 2 . I am sunk in deep mire, where there is no footing, [or standing place:] I am come into deep waters, and the flood of the water overfloweth me. 3 . I am weary of crying; my throat has become hoarse therewith: my eyes have failed with [or in] waiting for my God. 4 . They who hate me without cause are more in number than the hairs of my head: my lying adversaries, who eagerly desire to destroy me, are increased; that which I took not by spoil, then I restored it. 5 . O God! thou knowest my foolishness; and my faults are not hidden from thee. 1. Save me, O God! for the waters, etc. Under the figure of waters, the Psalmist represents his condition as so extremely distressing that it brought him even to the brink of despair; and yet we know that, so far from being a soft and an effeminate person, he was one who encountered and overcame dreadful temptations with extraordinary courage. Whence we may infer the bitterness of the distress with which he was at that time afflicted. Some understand the word soul as denoting life; but this gives a very cold and unsatisfactory meaning. It rather signifies the heart. A man when he falls into an abyss of waters, may prevent for some time the water from entering his body, by stopping his mouth and his nostrils, but at length, from its being impossible for a human being to live without respiration, suffocation will compel him to let in the waters, and they will penetrate even to the heart. David by this metaphor would intimate, not only that the waters had covered and overwhelmed him, but also that he had been forced to draw them into his body.

‏ Psalms 69

PSALM 69

There is a close resemblance between this psalm and the twenty-second. In the opening verses, David complains of the barbarous cruelty of his enemies, and of the grievous wrongs which they had inflicted upon him. ^{▼▼
The particular enemies of whom he speaks are uncertain; some referring the occasion of the composition of the psalm to his persecution by Saul, and others to the rebellion of Absalom. But to whatever part of David’s eventful life the psalm primarily refers, it may be concluded, from the frequency with which it is quoted and applied to Christ in the New Testament, that it was prophetic of him, of whom David, rejected and persecuted, was an eminent type. It is quoted in the New Testament at least seven times; the 4th verse in John 15:25; the 9th verse in John 2:17, and Romans 15:3; the 21st verse in Matthew 27:34, 48, and John 19:28, 29; the 22d and 23d verses in Romans 11:9, 10; and the 25th verse in Acts 1:16, 20.} But his mind, he affirms, was not hereby reduced to such a state of distress as to prevent him from patiently relying on the protection of God, or to discourage him from continuing in the undeviating course of a holy and an upright life. He rather testifies that his piety, and the courage and activity which he had manifested in maintaining the interests of the divine glory, were the cause of the hostility borne to him by the generality of men. After having again complained of being not less shamefully than cruelly oppressed by his enemies, he invokes God to visit them with deserved punishment. In the close, exulting as if he had obtained his highest wishes, he engages to yield to God a solemn sacrifice of praise.

To the chief musician upon Shoshannim of David.

We have already spoken elsewhere of the word Shoshannim. Its proper meaning is uncertain and obscure; but the most probable conjecture is, that it was the commencement of some song. If, however, any would prefer considering it as the name of some musical instrument, I have no objections. But the opinion held by some that this psalm was composed at the season of spring, when the lilies begin to blossom, is altogether unfounded and frivolous. ^{▼▼
They rest this opinion upon the meaning which they attach to the word ששנים, Shoshannim, in the title of the psalm, which they translate lilies} Before proceeding farther, we would have you to observe that David wrote this inspired ode not so much in his own name, as in the name of the whole Church, of whose Head he was an eminent type, as will be more dearly brought out in the sequel. This is highly worthy of our notice, that from this consideration we may be led to contemplate with the greater attention the representation which is here given of the common condition of all the people of God. Besides, it is highly probable that David did not here comprehend only one kind of persecution, but all the evils which he had suffered during the course of many years.

1. Save me, O God! for the waters, etc. Under the figure of waters, the Psalmist represents his condition as so extremely distressing that it brought him even to the brink of despair; and yet we know that, so far from being a soft and an effeminate person, he was one who encountered and overcame dreadful temptations with extraordinary courage. Whence we may infer the bitterness of the distress with which he was at that time afflicted. Some understand the word soul as denoting life; ^{▼▼
“The waters are come in unto my soul; i.e., a flood of overwhelming calamities threaten my life: comp. verse 16.” — Cresswell. Williams thinks the allusion is to a leaky vessel, or to an inundation.} but this gives a very cold and unsatisfactory meaning. It rather signifies the heart. A man when he falls into an abyss of waters, may prevent for some time the water from entering his body, by stopping his mouth and his nostrils, but at length, from its being impossible for a human being to live without respiration, suffocation will compel him to let in the waters, and they will penetrate even to the heart. David by this metaphor would intimate, not only that the waters had covered and overwhelmed him, but also that he had been forced to draw them into his body.