1Sa 2:1 | KD | STEP | Hannah’s song of praise . - The prayer in which Hannah poured out the feelings of her heart, after the dedication of her son to the Lord, is a song of praise of a prophetic and Messianic character. After giving utterance in the introduction to the rejoicing and exulting of her soul at the salvation that had reached her ( ), she praises the Lord as the only holy One, the only rock of the righteous, who rules on earth with omniscience and righteousness, brings down the proud and lofty, kills and makes alive, maketh poor and maketh rich ( ). She then closes with the confident assurance that He will keep His saints, and cast down the rebellious, and will judge the ends of the earth, and exalt the power of His king ( , ). This psalm is the mature fruit of the Spirit of God. The pious woman, who had gone with all the earnest longings of a mother’s heart to pray to the Lord God of Israel for a son, that she might consecrate him to the lifelong service of the Lord, “discerned in her own individual experience the general laws of the divine economy, and its signification in relation to the whole history of the kingdom of God” (Auberlen, p. 564). The experience which she, bowed down and oppressed as she was, had had of the gracious government of the omniscient and holy covenant God, was a pledge to her of the gracious way in which the nation itself was led by God, and a sign by which she discerned how God not only delivered at all times the poor and wretched who trusted in Him out of their poverty and distress, and set them up, but would also lift up and glorify His whole nation, which was at that time so deeply bowed down and oppressed by its foes. Acquainted as she was with the destination of Israel to be a kingdom , from the promises which God had given to the patriarchs, and filled as she was with the longing that had been awakened in the nation for the realization of these promises, she could see in spirit, and through the inspiration of God, the king whom the Lord was about to give to His people, and through whom He would raise it up to might and dominion. The refusal of modern critics to admit the genuineness of this song is founded upon an a priori and utter denial of the supernatural saving revelations of God, and upon a consequent inability to discern the prophetic illumination of the pious Hannah, and a complete misinterpretation of the contents of her song of praise. The “proud and lofty,” whom God humbles and casts down, are not the heathen or the national foes of Israel, and the “poor and wretched” whom He exalts and makes rich are not the Israelites as such; but the former are the ungodly , and the latter the pious , in Israel itself. And the description is so well sustained throughout, that it is only by the most arbitrary criticism that it can be interpreted as referring to definite historical events, such as the victory of David over Goliath (Thenius), or a victory of the Israelites over heathen nations ( Ewald and others). Still less can any argument be drawn from the words of the song in support of its later origin, or its composition by David or one of the earliest of the kings of Israel. On the contrary, not only is its genuineness supported by the general consideration that the author of these books would never have ascribed a song to Hannah, if he had not found it in the sources he employed; but still more decisively by the circumstance that the songs of praise of Mary and Zechariah, in Luk 1:46. and Luk 1:68., show, through the manner in which they rest upon this ode, in what way it was understood by the pious Israelites of every age, and how, like the pious Hannah, they recognised and praised in their own individual experience the government of the holy God in the midst of His kingdom. The first verse forms the introduction to the song. Holy joy in the Lord at the blessing which she had received impelled the favoured mother to the praise of God: 1 My heart is joyful in the Lord, My horn is exalted in the Lord, My mouth is opened wide over mine enemies: For I rejoice in Thy salvation. Of the four members of this verse, the first answers to the third, and the second to the fourth. The heart rejoices at the lifting up of her horn, the mouth opens wide to proclaim the salvation before which the enemies would be dumb. “ My horn is high ” does not mean 'I am proud' ( Ewald ), but “my power is great in the Lord.” The horn is the symbol of strength, and is taken from oxen whose strength is in their horns (vid., ; , etc.). The power was high or exalted by the salvation which the Lord had manifested to her. To Him all the glory was due, because He had proved himself to be the holy One, and a rock upon which a man could rest his confidence.

‏ 1 Samuel 2:1

Hannah’s song of praise. - The prayer in which Hannah poured out the feelings of her heart, after the dedication of her son to the Lord, is a song of praise of a prophetic and Messianic character. After giving utterance in the introduction to the rejoicing and exulting of her soul at the salvation that had reached her (1Sa 2:1), she praises the Lord as the only holy One, the only rock of the righteous, who rules on earth with omniscience and righteousness, brings down the proud and lofty, kills and makes alive, maketh poor and maketh rich (1Sa 2:2-8). She then closes with the confident assurance that He will keep His saints, and cast down the rebellious, and will judge the ends of the earth, and exalt the power of His king (1Sa 2:9, 1Sa 2:10).

This psalm is the mature fruit of the Spirit of God. The pious woman, who had gone with all the earnest longings of a mother’s heart to pray to the Lord God of Israel for a son, that she might consecrate him to the lifelong service of the Lord, “discerned in her own individual experience the general laws of the divine economy, and its signification in relation to the whole history of the kingdom of God” (Auberlen, p. 564). The experience which she, bowed down and oppressed as she was, had had of the gracious government of the omniscient and holy covenant God, was a pledge to her of the gracious way in which the nation itself was led by God, and a sign by which she discerned how God not only delivered at all times the poor and wretched who trusted in Him out of their poverty and distress, and set them up, but would also lift up and glorify His whole nation, which was at that time so deeply bowed down and oppressed by its foes. Acquainted as she was with the destination of Israel to be a kingdom, from the promises which God had given to the patriarchs, and filled as she was with the longing that had been awakened in the nation for the realization of these promises, she could see in spirit, and through the inspiration of God, the king whom the Lord was about to give to His people, and through whom He would raise it up to might and dominion.

The refusal of modern critics to admit the genuineness of this song is founded upon an a priori and utter denial of the supernatural saving revelations of God, and upon a consequent inability to discern the prophetic illumination of the pious Hannah, and a complete misinterpretation of the contents of her song of praise. The “proud and lofty,” whom God humbles and casts down, are not the heathen or the national foes of Israel, and the “poor and wretched” whom He exalts and makes rich are not the Israelites as such; but the former are the ungodly, and the latter the pious, in Israel itself. And the description is so well sustained throughout, that it is only by the most arbitrary criticism that it can be interpreted as referring to definite historical events, such as the victory of David over Goliath (Thenius), or a victory of the Israelites over heathen nations (Ewald and others). Still less can any argument be drawn from the words of the song in support of its later origin, or its composition by David or one of the earliest of the kings of Israel. On the contrary, not only is its genuineness supported by the general consideration that the author of these books would never have ascribed a song to Hannah, if he had not found it in the sources he employed; but still more decisively by the circumstance that the songs of praise of Mary and Zechariah, in Luk 1:46. and Luk 1:68., show, through the manner in which they rest upon this ode, in what way it was understood by the pious Israelites of every age, and how, like the pious Hannah, they recognised and praised in their own individual experience the government of the holy God in the midst of His kingdom.

1Sa 2:1

The first verse forms the introduction to the song. Holy joy in the Lord at the blessing which she had received impelled the favoured mother to the praise of God:

1 My heart is joyful in the Lord,

My horn is exalted in the Lord,

My mouth is opened wide over mine enemies:

For I rejoice in Thy salvation.

Of the four members of this verse, the first answers to the third, and the second to the fourth. The heart rejoices at the lifting up of her horn, the mouth opens wide to proclaim the salvation before which the enemies would be dumb. “My horn is high” does not mean 'I am proud' (Ewald), but “my power is great in the Lord.” The horn is the symbol of strength, and is taken from oxen whose strength is in their horns (vid., Deu 33:17; Psa 75:5, etc.). The power was high or exalted by the salvation which the Lord had manifested to her. To Him all the glory was due, because He had proved himself to be the holy One, and a rock upon which a man could rest his confidence.