Eze 23:20 | KD | STEP | Eze 23:11. And her sister Oholibah saw it, and carried on her coquetry still more wantonly than she had done, and her whoredom more than the whoredom of her sister. Eze 23:12. She was inflamed with lust towards the sons of Asshur, governors and officers, standing near, clothed in perfect beauty, horsemen riding upon horses, choice men of good deportment. Eze 23:13. And I saw that she had defiled herself; they both went one way. Eze 23:14. And she carried her whoredom still further; she saw men engraved upon the wall, figures of Chaldeans engraved with red ochre, Eze 23:15. Girded about the hips with girdles, with overhanging caps upon their heads, all of them knights in appearance, resembling the sons of Babel, the land of whose birth is Chaldea: Eze 23:16. And she was inflamed with lust toward them, when her eyes saw them, and sent messengers to them to Chaldea. Eze 23:17. Then the sons of Babylon came to her to the bed of love, and defiled her with their whoredom; and when she had defiled herself with them, her soul tore itself away from them. Eze 23:18. And when she uncovered her whoredom, and uncovered her nakedness, my soul tore itself away from her, as my soul had torn itself away from her sister. Eze 23:19. And she increased her whoredom, so that she remembered the days of her youth, when she played the harlot in the land of Egypt. Eze 23:20. And she burned toward their paramours, who have members like asses and heat like horses. Eze 23:21. Thou lookest after the lewdness of thy youth, when they of Egypt handled thy bosom because of thy virgin breasts. - The train of thought in these verses is the following: - Judah went much further than Samaria. It not only indulged in sinful intercourse with Assyria, which led on to idolatry as the latter had done, but it also allowed itself to be led astray by the splendour of Chaldea, to form alliances with that imperial power, and to defile itself with her idolatry. And when it became tired of the Chaldeans, it formed impure connections with the Egyptians, as it had done once before during its sojourn in Egypt. The description of the Assyrians in coincides with that in and , except that some of the predicates are placed in a different order, and לבשׁי is substituted for לבשׁי תכלת. The former expression, which occurs again in , must really mean the same as תכלת 'לב. But it does not follow from this that מכלול signifies purple, as Hitzig maintains. The true meaning is perfection; and when used of the clothing, it signifies perfect beauty. The Septuagint rendering, εὺπάρυφα, with a beautiful border - more especially a variegated one - merely expresses the sense, but not the actual meaning of מכלול. The Chaldee rendering is לבשׁי גמר, perfecte induti . - There is great obscurity in the statement in as to the way in which Judah was seduced to cultivate intercourse with the Chaldeans. She saw men engraved or drawn upon the wall (מחקּה, a participle Pual of חקק, engraved work, or sculpture). These figures were pictures of Chaldeans, engraved (drawn) with שׁשׁר, red ochre, a bright-red colour. חגורי, an adjective form חגור, wearing a girdle. טבוּלים, coloured cloth, from טבל, to colour; here, according to the context, variegated head-bands or turbans. סרוּח, the overhanging, used here of the cap. The reference is to the tiarae tinctae (Vulgate), the lofty turbans or caps, as they are to be seen upon the monuments of ancient Nineveh. שׁלישׁים, not chariot-warriors, but knights: “ tristatae , the name of the second grade after the regal dignity” (Jerome. See the comm. on and ). The description of these engravings answers perfectly to the sculptures upon the inner walls of the Assyrian palaces in the monuments of Nimrud, Khorsabad, and Kouyunjik (see Layard’s Nineveh and its Remains , and Vaux, Nineveh and Persepolis ). The pictures of the Chaldeans are not mythological figures (Hävernick), but sculptures depicting war-scenes, triumphal processions of Chaldean rulers and warriors, with which the Assyrian palaces were adorned. We have not to look for these sculptures in Jerusalem or Palestine. This cannot be inferred from , as Hävernick supposes; nor established by Hitzig’s argument, that the woman must have been in circumstances to see such pictures. The intercourse between Palestine and Nineveh, which was carried on even in Jonah’s time, was quite sufficient to render it possible for the pictures to be seen. When Israelites travelled to Nineveh, and saw the palaces there, they could easily make the people acquainted with the glory of Nineveh by the accounts they would give on their return. It is no reply to this, to state that the woman does not send ambassadors till afterwards ( ), as Hitzig argues; for Judah sent ambassadors to Chaldea not to view the glories of Assyria, but to form alliances with the Chaldeans, or to sue for their favour. Such an embassy, for example, was sent to Babylon by Zedekiah ( ); and there is no doubt that in v. 16 b Ezekiel has this in his mind. Others may have preceded this, concerning which the books of Kings and Chronicles are just as silent as they are concerning that of Zedekiah. The thought in these verses is therefore the following: - The acquaintance made by Israel (Judah) with the imperial splendour of the Chaldeans, as exhibited in the sculptures of their palaces, incited Judah to cultivate political and mercantile intercourse with this imperial power, which led to its becoming entangled in the heathen ways and idolatry of the Chaldeans. The Chaldeans themselves came and laid the foundation for an intercourse which led to the pollution of Judah with heathenism, and afterwards filled it with disgust, because it was brought thereby into dependence upon the Chaldeans. The consequence of all this was, that the Lord became tired of Judah ( , ). For instead of returning to the Lord, Judah turned to the other power of the world, namely, to Egypt; and in the time of Zedekiah renewed its ancient coquetry with that nation ( compared with ). The form ותּעגּבה in , which the Keri also gives in , has taken ah as a feminine termination (not the cohortative ah ), like תּרגּה in ; (vid., Delitzsch, Comm. on Job , en loc.). פּלּגשׁים are scorta mascula (here (Kimchi) - a drastically sarcastic epithet applied to the sârisim , the eunuchs, or courtiers. The figurative epithet answers to the licentious character of the Egyptian idolatry. The sexual heat both of horses and asses is referred to by Aristotle, Hist. anim . vi. 22, and Columella, de re rust . vi. 27; and that of the horse has already been applied to the idolatry of the people by Jeremiah (vid., ). בּשׂר, as in Eze 16:26. פּקד ( ), to look about for anything, i.e., to search for it; not to miss it, as Hävernick imagines.

‏ Ezekiel 23:20

Whoredom of Judah

Eze 23:11. And her sister Oholibah saw it, and carried on her coquetry still more wantonly than she had done, and her whoredom more than the whoredom of her sister. Eze 23:12. She was inflamed with lust towards the sons of Asshur, governors and officers, standing near, clothed in perfect beauty, horsemen riding upon horses, choice men of good deportment. Eze 23:13. And I saw that she had defiled herself; they both went one way. Eze 23:14. And she carried her whoredom still further; she saw men engraved upon the wall, figures of Chaldeans engraved with red ochre, Eze 23:15. Girded about the hips with girdles, with overhanging caps upon their heads, all of them knights in appearance, resembling the sons of Babel, the land of whose birth is Chaldea: Eze 23:16. And she was inflamed with lust toward them, when her eyes saw them, and sent messengers to them to Chaldea. Eze 23:17. Then the sons of Babylon came to her to the bed of love, and defiled her with their whoredom; and when she had defiled herself with them, her soul tore itself away from them. Eze 23:18. And when she uncovered her whoredom, and uncovered her nakedness, my soul tore itself away from her, as my soul had torn itself away from her sister. Eze 23:19. And she increased her whoredom, so that she remembered the days of her youth, when she played the harlot in the land of Egypt. Eze 23:20. And she burned toward their paramours, who have members like asses and heat like horses. Eze 23:21. Thou lookest after the lewdness of thy youth, when they of Egypt handled thy bosom because of thy virgin breasts. - The train of thought in these verses is the following: - Judah went much further than Samaria. It not only indulged in sinful intercourse with Assyria, which led on to idolatry as the latter had done, but it also allowed itself to be led astray by the splendour of Chaldea, to form alliances with that imperial power, and to defile itself with her idolatry. And when it became tired of the Chaldeans, it formed impure connections with the Egyptians, as it had done once before during its sojourn in Egypt. The description of the Assyrians in Eze 23:12 coincides with that in Eze 23:5 and Eze 23:6, except that some of the predicates are placed in a different order, and לבשׁי is substituted for לבשׁי תכלת. The former expression, which occurs again in Eze 38:4, must really mean the same as תכלת 'לב. But it does not follow from this that מכלול signifies purple, as Hitzig maintains. The true meaning is perfection; and when used of the clothing, it signifies perfect beauty. The Septuagint rendering, εὺπάρυφα, with a beautiful border - more especially a variegated one - merely expresses the sense, but not the actual meaning of מכלול. The Chaldee rendering is לבשׁי גמר, perfecte induti. - There is great obscurity in the statement in Eze 23:14 as to the way in which Judah was seduced to cultivate intercourse with the Chaldeans. She saw men engraved or drawn upon the wall (מחקּה, a participle Pual of חקק, engraved work, or sculpture). These figures were pictures of Chaldeans, engraved (drawn) with שׁשׁר, red ochre, a bright-red colour. חגורי, an adjective form חגור, wearing a girdle. טבוּלים, coloured cloth, from טבל, to colour; here, according to the context, variegated head-bands or turbans. סרוּח, the overhanging, used here of the cap. The reference is to the tiarae tinctae (Vulgate), the lofty turbans or caps, as they are to be seen upon the monuments of ancient Nineveh. שׁלישׁים, not chariot-warriors, but knights: “tristatae, the name of the second grade after the regal dignity” (Jerome. See the comm. on Exo 14:7 and 2Sa 23:8).

The description of these engravings answers perfectly to the sculptures upon the inner walls of the Assyrian palaces in the monuments of Nimrud, Khorsabad, and Kouyunjik (see Layard’s Nineveh and its Remains, and Vaux, Nineveh and Persepolis). The pictures of the Chaldeans are not mythological figures (Hävernick), but sculptures depicting war-scenes, triumphal processions of Chaldean rulers and warriors, with which the Assyrian palaces were adorned. We have not to look for these sculptures in Jerusalem or Palestine. This cannot be inferred from Eze 8:10, as Hävernick supposes; nor established by Hitzig’s argument, that the woman must have been in circumstances to see such pictures. The intercourse between Palestine and Nineveh, which was carried on even in Jonah’s time, was quite sufficient to render it possible for the pictures to be seen. When Israelites travelled to Nineveh, and saw the palaces there, they could easily make the people acquainted with the glory of Nineveh by the accounts they would give on their return. It is no reply to this, to state that the woman does not send ambassadors till afterwards (Eze 23:16), as Hitzig argues; for Judah sent ambassadors to Chaldea not to view the glories of Assyria, but to form alliances with the Chaldeans, or to sue for their favour. Such an embassy, for example, was sent to Babylon by Zedekiah (Jer 29:3); and there is no doubt that in v. 16 b Ezekiel has this in his mind. Others may have preceded this, concerning which the books of Kings and Chronicles are just as silent as they are concerning that of Zedekiah. The thought in these verses is therefore the following: - The acquaintance made by Israel (Judah) with the imperial splendour of the Chaldeans, as exhibited in the sculptures of their palaces, incited Judah to cultivate political and mercantile intercourse with this imperial power, which led to its becoming entangled in the heathen ways and idolatry of the Chaldeans. The Chaldeans themselves came and laid the foundation for an intercourse which led to the pollution of Judah with heathenism, and afterwards filled it with disgust, because it was brought thereby into dependence upon the Chaldeans. The consequence of all this was, that the Lord became tired of Judah (Eze 23:17, Eze 23:18). For instead of returning to the Lord, Judah turned to the other power of the world, namely, to Egypt; and in the time of Zedekiah renewed its ancient coquetry with that nation (Eze 23:19-21 compared with Eze 23:8). The form ותּעגּבה in Eze 23:20, which the Keri also gives in Eze 23:18, has taken ah as a feminine termination (not the cohortative ah), like תּרגּה in Pro 1:20; Pro 8:1 (vid., Delitzsch, Comm. on Job, en loc.). פּלּגשׁים are scorta mascula (here (Kimchi) - a drastically sarcastic epithet applied to the sârisim, the eunuchs, or courtiers. The figurative epithet answers to the licentious character of the Egyptian idolatry. The sexual heat both of horses and asses is referred to by Aristotle, Hist. anim. vi. 22, and Columella, de re rust. vi. 27; and that of the horse has already been applied to the idolatry of the people by Jeremiah (vid., Jer 5:8). בּשׂר, as in Eze 16:26. פּקד (Eze 23:21), to look about for anything, i.e., to search for it; not to miss it, as Hävernick imagines.