Isa 14:8-9 | KD | STEP | “The whole earth rests, is quiet: they break forth into singing. Even the cypresses rejoice at thee, the cedars of Lebanon: 'Since thou hast gone to sleep, no one will come up to lay the axe upon us.'” The preterites indicate inchoatively the circumstances into which the whole earth has now entered. The omission of the subject in the case of pâtz'chu (they break forth) gives the greatest generality to the jubilant utterances: pâtzach rinnâh ( erumpere gaudio ) is an expression that is characteristic of Isaiah alone (e.g., ; ); and it is a distinctive peculiarity of the prophet to bring in the trees of the forest, as living and speaking beings, to share in the universal joy (cf., ). Jerome supposes the trees to be figuratively employed here for the “chiefs of the nations” ( principes gentium ). But this disposition to allegorize not only destroys the reality of the contents, but the spirit of the poetry also. Cypresses and cedars rejoice because of the treatment which they received from the Chaldean, who made use of the almost imperishable wood of both of them for ornamental buildings, for his siege apparatus, and for his fleets, and even for ordinary ships - as Alexander, for example, built himself a fleet of cypress-wood, and the Syrian vessels had masts of cedar. Of the old cedars of Lebanon, there are hardly thirty left in the principle spot where they formerly grew. Gardner Wilkinson (1843) and Hooker the botanist (1860) estimated the whole number at about four hundred; and according to the conclusion which the latter drew from the number of concentric rings and other signs, not one of them is more than about five hundred years old.

‏ Isaiah 14:8-9

Isa 14:7-8 “The whole earth rests, is quiet: they break forth into singing. Even the cypresses rejoice at thee, the cedars of Lebanon: 'Since thou hast gone to sleep, no one will come up to lay the axe upon us.'” The preterites indicate inchoatively the circumstances into which the whole earth has now entered. The omission of the subject in the case of pâtz'chu (they break forth) gives the greatest generality to the jubilant utterances: pâtzach rinnâh (erumpere gaudio) is an expression that is characteristic of Isaiah alone (e.g., Isa 44:23; Isa 49:13); and it is a distinctive peculiarity of the prophet to bring in the trees of the forest, as living and speaking beings, to share in the universal joy (cf., Isa 55:12). Jerome supposes the trees to be figuratively employed here for the “chiefs of the nations” (principes gentium). But this disposition to allegorize not only destroys the reality of the contents, but the spirit of the poetry also. Cypresses and cedars rejoice because of the treatment which they received from the Chaldean, who made use of the almost imperishable wood of both of them for ornamental buildings, for his siege apparatus, and for his fleets, and even for ordinary ships - as Alexander, for example, built himself a fleet of cypress-wood, and the Syrian vessels had masts of cedar. Of the old cedars of Lebanon, there are hardly thirty left in the principle spot where they formerly grew. Gardner Wilkinson (1843) and Hooker the botanist (1860) estimated the whole number at about four hundred; and according to the conclusion which the latter drew from the number of concentric rings and other signs, not one of them is more than about five hundred years old. ^{▼▼See Wilkinson’s paper in the Athenaeum (London, Noverse 1862).} Isa 14:9

But whilst it has become so quiet on earth, there is the most violent agitation in the regions below. “The kingdom of the dead below is all in uproar on account of thee, to meet thy coming; it stirreth up the shades for thee, all the he-goats of the earth; it raiseth up from their throne-seats all the kings of the nations.” The notion of Hades, notwithstanding the mythological character which it had assumed, was based upon the double truth, that what a man has been, and the manner in which he has lived on this side the grave, are not obliterated on the other side, but are then really brought to light, and that there is an immaterial self-formation of the soul, in which all that a man has become under certain divinely appointed circumstances, by his own self-determination, is, as it were, reflected in a mirror, and that in a permanent form. This psychical image, to which the dead body bears the same relation as the shattered mould to a cast, is the shade-like corporeality of the inhabitants of Hades, in which they appear essentially though spiritually just as they were on this side the grave. This is the deep root of what the prophet has here expressed in a poetical form; for it is really a mâshâl that he has interwoven with his prophecy here. All Hades is overwhelmed with excitement and wonder, now that the king of Babel, that invincible ruler of the world, who, if not unexpected altogether, was not expected so soon, as actually approaching. From עורר onwards, Sheol, although a feminine, might be the subject; in which case the verb would simply have reverted from the feminine to the radical masculine form. But it is better to regard the subject as neuter; a nescio quid, a nameless power. The shades are suddenly seized with astonishment, more especially the former leaders (leading goats or bell-wethers) of the herds of nations, so that, from sheer amazement, they spring up from their seats.