Job 31:40 | KD | STEP | Job 31:38-40 38 If my field cry out against me, And all together its furrows weep; 39 If I have devoured its strength without payment, And caused the soul of its possessor to expire: 40 May thistles spring up instead of wheat, And darnel instead of barley. The field which he tills has no reason to cry out on account of violent treatment, nor its furrows to weep over wrong done to them by their lord. אדמה, according to its radical signification, is the covering of earth which fits close upon the body of the earth as its skin, and is drawn flat over it, and therefore especially the arable land; תּלם (Arab. telem , not however directly referable to an Arab. root, but as also other words used in agriculture, probably borrowed from the North Semitic, first of all the Aramaic or Nabataic), according to the explanation of the Turkish Kamus, the “ditch-like crack which the iron of the ploughman tears in the field,” not the ridge thrown up between every two furrows (vid., on ). He has not unlawfully used (which would be the reason of the crying and weeping) the usufruct of the field (כּח meton., as , of the produce, proportioned to its capability of production) without having paid its value, by causing the life to expire from the rightful owner, whether slowly or all at once ( ). The wish in is still stronger than in , : there the loss and rooting out of the produce of the field is desired, here the change of the nature of the land itself; the curse shall and must come upon it, if its present possessor has been guilty of the sin of unmerciful covetousness, which Eliphaz lays to his charge in -9. According to the view of the Capuchin Bolducius (1637), this last strophe, , stood originally after , according to Kennicott and Eichhorn after , according to Stuhlmann after Job 31:34. The modern expositors retain it in its present position. Hirzel maintains the counter arguments: (1) that none of the texts preserved to us favour the change of position; (2) that it lay in the plan of the poet not to allow the speeches of Job to be rounded off, as would be the case by being the concluding strophe, but to break off suddenly without a rhetorical conclusion. If now we imagine the speeches of Elihu as removed, God interrupts Job, and he must cease without having come to an end with what he had to say. But these counter arguments are an insufficient defence: for (1) there is a number of admitted misplacements in the Old Testament which exceed the Masora (e.g., ; ), and also the lxx (e.g., , באנשׁים, lxx ἐν ἀνδράσιν, instead of בשׁנים); (2) Job’s speech would gain a rhetorical conclusion by , if, as Hirzel in contradiction of himself supposes, ought to be considered as a parenthesis, and as a grammatical conclusion to the hypothetical clauses from onwards. But if this strange view is abandoned, it must be supposed that with Job intends to begin the assertion of his innocence anew, and is interrupted in this course of thought now begun, by Jehovah. But it is improbable that one has to imagine this in the mind of such a careful poet. Also the first word of Jehovah, “Who is this that darkeneth counsel with words without knowledge?” , is much more appropriate to follow directly on than ; for a new course of thought, which Jehovah’s appearing interrupts, begins with ; and the rash utterance, , is really a “darkening of the divine decree.” For by declaring he will give an account to God, his judge, concerning each of his steps, and approach Him like a prince, Job does not merely express the injustice of the accusations raised by his human opponents, but he casts a reflection of injustice upon the divine decree itself, inasmuch as it appears to him to be a de facto accusation of God. Nevertheless, whether Elihu’s speeches are not be put aside as not forming an original portion of the book, or not, the impression that follow as stragglers, and that would form a more appropriate close, and a more appropriate connection for the remonstrance that follows, whether it be Jehovah’s or Elihu’s, remains. For the assertion in cannot in itself be considered to be a justifiable boldness; but in the whole condition of Job’s inner nature is once more mirrored forth: his longing after God, by which Satan’s prediction is destroyed; and his overstepping the bounds of humility, on account of which his affliction, so far as it is of a tentative character, cannot end before it is also become a refining fire to him. Therefore we cannot refrain from the supposition that it is with just as with The lxx also found these two verses in this position; they belong, however, after , as is clear in itself, and as is evident from 2Ki 20:7 There they are accidentally omitted, and are now added at the close of the narration as a supplement. If the change of position, which is there an oversight, is considered as too hazardous here, must be put in the special and close relation to the preceding strophe indicated by us in the exposition, and must be regarded as a final rounding off (not as the beginning of a fresh course of thought); for instead of the previous aposiopeses, this concluding strophe dies away, and with it the whole confession, in a particularly vigorous, imprecative conclusion. Let us once more take a review of the contents of the three sharply-defined monologues. After Job, in , has closed the controversy with the friends, in the first part to this trilogy, , he wishes himself back in the months of the past, and describes the prosperity, the activity, for the good of his fellow-men, and the respect in which he at that time rejoiced, when God was with him. It is to be observed here, how, among all the good things of the past which he longs to have back, Job gives the pre-eminence to the fellowship and blessing of God as the highest good, the spring and fountain of every other. Five times at the beginning of in diversified expressions he described the former days as a time when God was with him. Look still further from the beginning of the monologue to its close, to the likewise very expressive כאשׁר אבלים ינחם. The activity which won every heart to Job, and toward which he now looks back so longingly, consisted of works of that charity which weeps with them that weep, and rejoices not in injustice, -17. The righteousness of life with which Job was enamoured, and which manifested itself in him, was therefore charity arising from faith ( Liebe aus Glauben ). He knew and felt himself to be in fellowship with God; and from the fulness of this state of being apprehended of God, he practised charity. He, however, is blessed who knows himself to be in favour with God, and in return loves his fellow-men, especially the poor and needy, with the love with which he himself is loved of God. Therefore does Job wish himself back in that past, for now God has withdrawn from him; and the prosperity, the power, and the important position which were to him the means for the exercise of his charity, are taken from him. This contrast of the past and present is described in , which begins with ועתה. Men who have become completely animalized, rough hordes driven into the mountains, with whom he sympathized, but without being able to help them as he had wished, on account of their degeneracy, - these mock at him by their words and acts. Now scorn and persecution for the sake of God is the greatest honour of which a man can be accounted worthy; but, apart from the consideration that this idea could not yet attain its rightful expression in connection with the present, temporal character of the Old Testament, it was not further from any one than from him who in the midst of his sufferings for God’s sake regards himself, as Job does now, as rejected of God. That scorn and his painful and loathesome disease are to him a decree of divine wrath; God has, according to his idea, changed to a tyrant; He will not hear his cry for help. Accordingly, Job can say that his welfare as a cloud is passed away. He is conscious of having had pity on those who needed help, and yet he himself finds no pity now, when he implores pity like one who, seated upon a heap of rubbish, involuntarily stretches forth his hand for deliverance. In this gloomy picture of the present there is not even a single gleam of light; for the mysterious darkness of his affliction has not been in the slightest degree lighted up for Job by the treatment the friends have adopted. Also he is as little able as the friends to think of suffering and sin as unconnected, for which very reason his affliction appears to him as the effect of divine wrath; and the sting of his affliction is, that he cannot consider this wrath just. From the demand made by his faith, which here and there breaks through his conflict, that God cannot allow him to die the death of a sinner without testifying to his innocence, Job nowhere attains the conscious conclusion that the motive of his affliction is love, and not wrath. In the third part of the speech ( ), which begins with the words, “I had made a covenant,” etc., without everywhere going into the detail of the visible conjunction of the thought, Job asserts his earnest struggle after sanctification, by delivering himself up to just divine punishment in case his conduct had been the opposite. The poet allows us to gain a clear insight into that state of his hero’s heart, and also of his house, which was well-pleasing to God. Not merely outward adultery, even the adulterous look; not merely the unjust acquisition of property and goods, but even the confidence of the heart in such things; not merely the share in an open adoration of idols, but even the side-glance of the heart after them, is accounted by him as condemnatory. He has not merely guarded himself from using sinful curses against his enemies, but he has also not rejoiced when misfortune overtook them. As to his servants, even when he has had a dispute with any of them, he has not forgotten that master and servant, without distinction of birth, are creatures of one God. Towards orphans, from early youth onwards, he has practised such tender love as if he were their father; towards widows, as if he were their son. With the hungry he has shared his bread, with the naked his clothes; his subordinates had no reason to complain of niggardly sustenance; his house always stood open hospitably to the stranger; and, as the two final strophes affirm: he has not hedged in any secret sin, anxious only not to appear as a sinner openly, and has not drawn forth wailings and tears from the ground which he cultivated by avarice and oppressive injustice. Who does not here recognise a righteousness of life and endeavour, the final aim of which is purity of heart, and which, in its relation to man, flows forth in that love which is the fulfilling of the law? The righteousness of which Job ( ) says, he has put it on like a garment, and it has put him on, is essentially the same as that which the New Testament Preacher on the mount enjoins. As the work of an Israelitish poet, is a most important evidence in favour of the assertion, that a life well-pleasing to God is not, even in the Old Testament, absolutely limited to the Israelitish nation, and that it enjoins a love which includes man as man within itself, and knows of no distinction. If, now, Job can lay down the triumphant testimony of such a genuine righteousness of life concerning himself, in opposition to men’s misconstruction, the contrast of his past and present becomes for the first time mysterious; but we are also standing upon the extreme boundary where the knot that has been tied must be untied. The injustice done to Job in the accusations which the friends bring against him must be laid bare by the appearance of accusation on the part of God, which his affliction casts upon him, being destroyed. With the highest confidence in a triumphant issue, even before the trial of his cause, Job longs, in the concluding words, , for the judicial decision of God. As a prince he will go before the Judge, and bind his indictment like a costly diadem upon his brow. For he is certain that he has not merited his affliction, that neither human nor divine accusation can do anything against him, and that he will remain conqueror - as over men, so over God Himself. Thus has the poet, in this threefold monologue of Job, prepared the way for the catastrophe, the unravelment of the knot of the drama. But will God enter into a controversy respecting His cause with Job? This is contrary to the honour of God; and that Job desires it, is contrary to the lowliness which becomes him towards God. On this very account God will not at once acknowledge Job as His servant: Job will require first of all to be freed from the sinful presumption concerning God with which he has handled the problem of his sufferings. But he has proved himself to be a servant of God, in spite of the folly into which he has fallen; the design of Satan to tear him away from God is completely frustrated. Thus, therefore, after he has purified himself from his sin into which, both in word and thought, he has allowed himself to be drawn by the conflict of temptation, Job must be proved to be the servant of God in opposition to the friends. But before God Himself appears in order to bring about the unravelment, there follow still four speeches, Job 32-37, of a speaker, for whose appearance the former part of the drama has in no way prepared us. It is also remarkable that they are marked off from the book of Job, as far as we have hitherto read, by the formula תּמּוּ דּברי איּוב, are ended the words of Job. Carey is of the opinion that these three words may possibly be Job’s own closing dixi . According to Hahn, the poet means to imply by them that Job has now said all that he intended to say, so that it would now have been the friends’ turn to speak. These views involve a perplexity like that of those who think that must be regarded as a constituent part of the Psalm. As in that position the words, “The prayers of David the son of Jesse are finished,” are as a memorial-stone between the original collection and its later extensions, so this תמו דברי איוב, which is transferred by the lxx (καὶ ἐπαύσατο Ἰὼβ ῥήμασιν) to the historical introduction of the Elihu section, seems to be an important hint in reference to the origin of the book of Job in its present form. Since Job has come to an end with his speeches, and is silent at the four speeches of a new speaker, although they strongly enough provoke him to reply; according to the idea of the poet, Elihu’s appearance is to be regarded as belonging to the catastrophe itself. And since a hasty glance at the speeches of Jehovah shows that they do not say anything concerning the motive and object of Job’s affliction, these speeches of Elihu, in so far as they seem to be an integral part of the whole, as they cast light upon this dark point, will therefore prove in the midst of the action of the drama, what we know already from the prologue, that Job’s affliction has not the wrath of God as its motive power, nor the punishment of Job as ungodly for its object. If the four speeches really furnish this, it is still not absolutely decisive in favour of their forming originally a part of the book. For it would be even possible that a second poet might have added a part, in harmony with its idea, to the work of the first. What we expect, moreover, is the mark of the same high poetic genius which we have hitherto regarded with amazement. But since we are now passing on the the exposition of these speeches, it must be with the assumption that they have a like origin with the whole, and that they also really belong to this whole with which they are embodied, in the place where they now stand. We shall only be able to form a conclusive judgment concerning the character of their form, the solution of their problem, and the manner of their composition, after the exposition is completed, by then taking a comprehensive and critical review of the impressions produced, and our observations. Fourth Part - The Unravelment - Job 32-42 The Speeches of Elihu which Prepare the Way for the Unravelment - Job 32-37 Historical Introduction to the Section - A short introduction in historical prose, which introduces the speaker and justifies his appearance, opens the section. It is not, like the prologue and epilogue, accented as prose; but, like the introductions to the speeches and the clause, extra, is taken up in the network of the poetical mode of accentuation, because a change of the mode of accentuation in the middle of the book, and especially in a piece of such small compass, appeared awkward. The opposition of the three has exhausted itself, so that in that respect Job seems to have come forth out the controversy as conqueror.