Daniel 9:16
Dan 9:3-19 Daniel’s prayer. This prayer has been judged very severely by modern critics. According to Berth., v. Leng., Hitzig, Staeh., and Ewald, its matter and its whole design are constructed according to older patterns, in particular according to the prayers of Neh 9 and Ezr 9:1-15, since Dan 9:4 is borrowed from Neh 1:5; Neh 9:32; Dan 9:8 from Neh 9:34; Dan 9:14 from Neh 9:33; Dan 9:15 from Neh 1:10; Neh 9:10; and, finally, Dan 9:7, Dan 9:8 from Ezr 9:7. But if we consider this dependence more closely, we shall, it is true, find the expression הפנים בּשׁת (confusion of faces, Ezr 9:7, Ezr 9:8) in Ezr 9:7, but we also find it in 2Ch 32:21; Jer 7:19, and also in Psa 44:16; סלחות (forgivenesses, Dan 9:9) we find in Neh 9:17, but also in Psa 130:4; and על תּתּך (is poured upon, spoken of the anger of God, Dan 9:11) is found not only in 2Ch 12:7; 2Ch 34:21, 2Ch 34:25, but also Jer 42:18; Jer 44:6, and Nah 1:6. We have only to examine the other parallel common thoughts and words adduced in order at once to perceive that, without exception, they all have their roots in the Pentateuch, and afford not the slightest proof of the dependence of this chapter on Neh 9. The thought, “great and dreadful God, keeping the covenant and mercy,” etc., which is found in Dan 9:4 and in Neh 1:5, has its roots in Deu 7:21 and Dan 9:9, cf. Exo 20:6; Exo 34:7, and in the form found in Neh 9:32, in Deu 10:17; the expression (Dan 9:15), “Thou hast brought Thy people forth out of the land of Egypt with a mighty hand,” has its origin in Deu 7:8; Deu 9:26, etc. But in those verses where single thoughts or words of this prayer so accord with Neh 9 or Ezr 9:1-15 as to show a dependence, a closer comparison will prove, not that Daniel borrows from Ezra or Nehemiah, but that they borrow from Daniel. This is put beyond a doubt by placing together the phrases: “our kings, our princes, our fathers” (Dan 9:5, Dan 9:8), compared with these: “our kings, our princes, our priests, and our fathers” (Neh 9:34, Neh 9:32), and “our kings and our priests” (Ezr 9:7). For here the naming of the “priests” along with the “kings and princes” is just as characteristic of the age of Ezra and Nehemiah as the omission of the “priests” is of the time of the Exile, in which, in consequence of the cessation of worship, the office of the priest was suspended. This circumstance tends to refute the argument of Stähelin (Einl. p. 349), that since the prayers in Chron., Ezra, and Nehem. greatly resemble each other, and probably proceed from one author, it is more likely that the author of Daniel 9 depended on the most recent historical writings, than that Daniel 9 was always before the eyes of the author of Chron. - a supposition the probability of which is not manifest. If, without any preconceived opinion that this book is a product of the times of the Maccabees, the contents and the course of thought found in the prayer, Daniel 9, are compared with the prayers in Ezr 9:1-15 and Neh 9, we will not easily suppose it possible that Daniel depends on Ezra and Nehemiah. The prayer of Ezr 9:6-15 is a confession of the sins of the congregation from the days of the fathers down to the time of Ezra, in which Ezra scarcely ventures to raise his countenance to God, because as a member of the congregation he is borne down by the thought of their guilt; and therefore he does not pray for pardon, because his design is only “to show to the congregation how greatly they had gone astray, and to induce them on their part to do all to atone for their guilt, and to turn away the anger of God” (Bertheau). The prayer, Neh 9:6-37, is, after the manner of Ps 105 and 106, an extended offering of praise for all the good which the Lord had manifested toward His people, notwithstanding that they had continually hardened their necks and revolted from His from the time of the call of Abraham down to the time of the exile, expressing itself in the confession, “God is righteous, but we are guilty,” never rising to a prayer for deliverance from bondage, under which the people even then languished. The prayer of Daniel 9, on the contrary, by its contents and form, not only creates the impression “of a fresh production adapted to the occasion,” and also of great depth of thought and of earnest power in prayer, but it presents itself specially as the prayer of a man, a prophet, standing in a near relation to God, so that we perceive that the suppliant probably utters the confession of sin and of guilt in the name of the congregation in which he is included; but in the prayer for the turning away of God’s anger his special relation to the Lord is seen, and is pleaded as a reason for his being heard, in the words, “Hear the prayer of Thy servant and his supplication (Dan 9:17); O my God, incline Thine ear” (Dan 9:18). ▼▼After the above remarks, Ewald’s opinion, that this prayer is only an epitome of the prayer of Baruch Baruch(1:16-3:8), scarcely needs any special refutation. It is open before our eyes, and has been long known, that the prayer of Baruch in the whole course of its thoughts, and in many of the expressions found in it, fits closely to the prayer of Daniel; but also all interpreters not blinded by prejudice have long ago acknowledged that from the resemblances of this apocryphal product not merely to Daniel 9, but also much more to Jeremiah, nothing further follows than that the author of this late copy of ancient prophetic writings knew and used the book of Daniel, and was familiar with the writings of Daniel and Jeremiah, and of other prophets, so that he imitated them. This statement, that the pseudo-Baruch in ch. 1:15-3:8 presents an extended imitation of Daniel’s prayer, Ewald has not refuted, and he has brought forward nothing more in support of his view than the assertion, resting on the groundless supposition that the mention of the “judges” in Dan 9:12 is derived from Bar. 2:1, and on the remark that the author of the book of Baruch would have nothing at all peculiar if he had formed that long prayer out of the book of Daniel, or had only wrought after this pattern - a remark which bears witness, indeed, of a compassionate concern for his protége, but manifestly says nothing for the critic.
The prayer is divided into two parts. Dan 9:4-14 contain the confession of sin and guilt; Dan 9:15-19 the supplication for mercy, and the restoration of the holy city and its sanctuary lying in ruins. The confession of sin divides itself into two strophes. Dan 9:4-10 state the transgression and the guilt, while Dan 9:11-14 refer to the punishment from God for this guilt. Dan 9:3 forms the introduction. The words, “Then I directed my face to the Lord,” are commonly understood, after Dan 6:11, as meaning that Daniel turned his face toward the place of the temple, toward Jerusalem. This is possible. The words themselves, however, only say that he turned his face to God the Lord in heaven, to האלהים אדני, the Lord of the whole world, the true God, not to יהוה, although he meant the covenant God. “To seek prayer in (with) fasting,” etc. “Fasting in sackcloth (penitential garment made of hair) and ashes,” i.e., sprinkling the head with ashes as an outward sign of true humility and penitence, comes into consideration as a means of preparation for prayer, in order that one might place himself in the right frame of mind for prayer, which is an indispensable condition for the hearing of it - a result which is the aim in the seeking. In regard to this matter Jerome makes these excellent remarks: ”In cinere igitur et sacco postulat impleri quod Deus promiserat, non quod esset incredulus futurorum, sed ne securitas negligentiam et negligentia pareret offensam.” תּפלּה and תּחנוּנים = תּחנּה, cf. 1Ki 8:38, 1Ki 8:45, 1Ki 8:49; 2Ch 6:29, 2Ch 6:35. תּפלּה is prayer in general; תּחנוּנים, prayer for mercy and compassion, as also a petition for something, such as the turning away of misfortune or evil (deprecari). The design of the prayer lying before us is to entreat God that He would look with pity on the desolation of the holy city and the temple,and fulfil His promise of their restoration. This prayer is found in Dan 9:15-19.
Copyright information for
KD