‏ Isaiah 16:8-10

Isa 16:7-8

Therefore the delightful land is miserably laid waste. “Therefore will Moab wail for Moab, everything will wail: for the grape-cakes of Kir-hareseth will ye whine, utterly crushed. For the fruit-fields of Heshbon have faded away: the vine of Sibmah, lords of the nations its branches smote down; they reached to Ja'zer, trailed through the desert: its branches spread themselves out wide, crossed over the sea.” The Lamed in l'Moab is the same as in Isa 15:5, and in la'ashishē, which follows here. Kir-hareseth (written Kir-heres in Isa 16:11, and by Jeremiah; compare 2Ki 3:25, where the vowel-pointing is apparently false): Heres or Hareseth may possibly refer to the glazed tiles or grooved stones. As this was the principal fortress of Moab, and according to Isa 15:1 it had already been destroyed, ‛ashishē appears to mean the “strong foundations,” - namely, as laid bare; in other words, the “ruins” (cf., Jer 50:15, and mōsedē in Isa 58:12). But in every other passage in which the word occurs it signifies a kind of cake; and as the devastation of the vines of Moab is made the subject of mourning afterwards, it has the same meaning here as in Hos 3:1, namely raisin-cakes, or raisins pressed into the form of cakes. Such cakes as these may have been a special article of the export trade of Kir. Jeremiah has altered 'ashishē into 'anshē (Jer 48:31), and thus made men out of the grapes. Hâgâh is to be understood in accordance with Isa 38:14; Isa 59:11 (viz., of the cooing of the dove); 'ac (in good texts it is written with mercha, not with makkeph) according to Deu 16:15. On the construction of the pluralet. shadmoth, compare Hab 3:17. We have rendered the clause commencing with baalē goyim (lords of the nations) with the same amphibolism as we find in the Hebrew. It might mean either “lords of the nations (domini gentium) smote down its branches” (viz., those of the vine of Sibmah;
In MSS Shibmah is written with gaya, in order that the two labials may be distinctly expressed.
hâlam being used as in Isa 41:7), or “its branches smote down (i.e., intoxicated) lords of the nations” (dominos gentium; hâlam having the same meaning as in the undisputed prophecy of Isaiah in Isa 28:1). As the prophet enlarges here upon the excellence of the Moabitish wine, the latter is probably intended. The wine of Sibmah was so good, that it was placed upon the tables of monarchs, and so strong that it smote down, i.e., inevitably intoxicated, even those who were accustomed to good wines. This Sibmah wine was cultivated, as the prophet says, far and wide in Moab - northwards as far as Ja'zer (between Ramoth, i.e., Salt, and Heshbon, now a heap of ruins), eastwards into the desert, and southwards across the Dead Sea - a hyperbolical expression for close up to its shores. Jeremiah defines yâm (the sea) more closely as yam Ja‛zer (the sea of Jazer; vid., Jer 48:32), so that the hyperbole vanishes. But what sea can the sea of Jazer be? Probably some celebrated large pool, like the pools of Heshbon, in which the waters of the Wady (Nahr) Sir, which takes its rise close by, were collected. Seetzen found some pools still there. The “sea” (yâm) in Solomon’s temple shows clearly enough that the term sea was also commonly applied to artificial basins of a large size; and in Damascus the marble basins of flowing water in the halls of houses are still called baharât; and the same term is applied to the public reservoirs in all the streets of the city, which are fed by a network of aqueducts from the river Baradâ. The expression “break through the desert” (tâ‛u midbâr) is also a bold one, probably pointing to the fact that, like the red wines of Hungary at the present time, they were trailing vines, which did not require to be staked, but ran along the ground.
Isa 16:9

The beauties of nature and fruitfulness of the land, which come into the possession of any nation, are gifts from the riches of divine goodness, remnants of the paradisaical commencement of the history of man, and types of its paradisaical close; and for this very reason they are not matters of indifference to the spirit of prophecy. And for the same reason, it is not unworthy of a prophet, who predicts the renovation of nature and the perfecting of it into the beauty of paradise, to weep over such a devastation as that of the Moabitish vineyards which was now passing before his mind (cf., Isa 32:12-13).“Therefore I bemoan the vines of Sibmah with the weeping of Jazer; I flood thee with my tears, O Heshbon and Elealeh, that Hêdad hath fallen upon thy fruit-harvest and upon thy vintage.” A tetrastich, the Hebrew equivalent, in measure and movement, of a sapphic strophe. The circumstantiality of the vision is here swallowed up again by the sympathy of the prophet; and the prophecy, which is throughout as truly human as it is divine, becomes soft and flowing like an elegy. The prophet mingles his tears with the tears of Jazer. Just as the latter weeps for the devastated vines of Sibmah, so does he also weep. The form אריּוך, transposed from ארוּיך = ארוּך (cf., Ewald, §253, a, where it is explained as being a rare “voluntative” formation), corresponds to the elegiac tone of the whole strophe. Heshbon and Elealeh, those closely connected cities, with their luxuriant fields (shedemoth, Isa 16:8), are now lying in ruins; and the prophet waters them with tears, because hedad has fallen upon the fruit-harvest and vintage of both the sister cities. In other instances the term kâtzı̄r is applied to the wheat-harvest; but here it is used in the same sense as bâtzı̄r, to which it is preferred on account of Isaiah’s favourite alliteration, viz., with kaytz (compare, for example, the alliteration of mistor with sēther in Isa 4:6). That it does not refer to the wheat-harvest here, but to the vintage, which was nearly coincident with the fruit-harvest (which is called kaytz, as in Isa 28:4), is evident from the figure suggested in the word hēdâd, which was the shout raised by the pressers of the grapes, to give the time for moving their feet when treading out the wine (Isa 16:10; Jer 25:30). A hēdâd of this kind had fallen upon the rich floors of Heshbon-Elealeh, inasmuch as they had been trodden down by enemies - a Hedad, and yet no Hedad, as Jeremiah gives it in a beautiful oxymoron (Jer 48:33), i.e., no joyous shout of actual grape-treaders.
Isa 16:10-11

The prophet, to whose favourite words and favourite figures Carmel belongs, both as the name of a place and as the name of a thing, now proceeds with his picture, and is plunged still more deeply into mourning. “And joy is taken away, and the rejoicing of the garden-land; and there is no exulting, no shouting in the vineyards: the treader treads out no wine in the presses; I put an end to the Hedad. Therefore my bowels sound for Moab like a harp, and my inside for Kir-heres.” It is Jehovah who says “I put an end;” and consequently the words, “My bowels sound like a harp,” or, as Jeremiah expresses it (Jer 48:36), like flutes, might appear to be expressive of the feelings of Jehovah. And the Scriptures do not hesitate to attribute mē‛ayim (viscera) to God (e.g., Isa 63:15; Jer 31:20). But as the prophet is the sympathizing subject throughout the whole of the prophecy, it is better, for the sake of unity, to take the words in this instance also as expressing the prophet’s feelings. Just as the hand or plectrum touches the strings of the harp, so that they vibrate with sound; so did the terrible things that he had heard Jehovah say concerning Moab touch the strings of his inward parts, and cause them to resound with notes of pain. By the bowels, or rather entrails (viscera), the heart, liver, and kidneys are intended - the highest organs of the Psyche, and the sounding-board, as it were, of those “hidden sounds” which exist in every man. God conversed with the prophet “in the spirit;” but what passed there took the form of individual impressions in the domain of the soul, in which impressions the bodily organs of the psychical life sympathetically shared. Thus the prophet saw in the spirit the purpose of God concerning Moab, in which he could not and would not make any change; but it threw his soul into all the restlessness of pain.
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