Isa 47:4 | KD | STEP | From the gods of Babylon the proclamation of judgment passes onto Babylon itself. “Come down, and sit in the dust, O virgin daughter Babel; sit on the ground without a throne, O Chaldaeans-daughter! For men no longer call thee delicate and voluptuous. Take the mill, and grind meal: throw back they veil, lift up the train, uncover the thigh, wade through streams. Let thy nakedness be uncovered, even let thy shame be seen; I shall take vengeance, and not spare men. Our Redeemer, Jehovah of hosts is His name, Holy One of Israel.” This is the first strophe in the prophecy. As v. 36 clearly shows, what precedes is a penal sentence from Jehovah. Both בּת in relation to בּתוּלת ( ; ), and בּבל and כּשׂדּים in relation to בּת, are appositional genitives; Babel and Chaldeans (כשׂדים as in ) are regarded as a woman, and that as one not yet dishonoured. The unconquered oppressor is threatened with degradation from her proud eminence into shameful humiliation; sitting on the ground is used in the same sense as in Isa 3:26. Hitherto men have called her, with envious admiration, rakkâh va‛ânuggâh (from ), mollis et delicata , as having carefully kept everything disagreeable at a distance, and revelled in nothing but luxury (compare ‛ōneg , ). Debauchery with its attendant rioting ( ; ), and the Mylitta worship with its licensed prostitution (Herod. i. 199), were current there; but now all this was at an end. תוסיפי, according to the Masora, has only one pashta both here and in , and so has the tone upon the last syllable, and accordingly metheg in the antepenult . Isaiah’s artistic style may be readily perceived both in the three clauses of that are comparable to a long trumpet-blast (compare and ), and also in the short, rugged, involuntarily excited clauses that follow. The mistress becomes the maid, and has to perform the low, menial service of those who, as Homer says in Od. vii. 104, ἀλετρεύουσι μύλης ἔπι μήλοπα καρπόν (grind at the mill the quince-coloured fruit; compare at ). She has to leave her palace as a prisoner of war, and, laying aside all feminine modesty, to wade through the rivers upon which she borders. Chespı̄ has ĕ instead of ĭ , and, as in other cases where a sibilant precedes, the mute p instead of f (compare 'ispı̄ , ). Both the prosopopeia and the parallel, “thy shame shall be seen,” require that the expression “thy nakedness shall be uncovered” should not be understood literally. The shame of Babel is her shameful conduct, which is not to be exhibited in its true colours, inasmuch as a stronger one is coming upon it to rob it of its might and honour. This stronger one, apart from the instrument employed, is Jehovah: vindictam sumam, non parcam homini . Stier gives a different rendering here, namely, “I will run upon no man, i.e., so as to make him give way;” Hahn, “I will not meet with a man,” so destitute of population will Babylon be; and Ruetschi, “I will not step in as a man.” Gesenius and Rosenmüller are nearer to the mark when they suggest non pangam ( paciscar ) cum homine ; but this would require at any rate את־אדם, even if the verb פּגע really had the meaning to strike a treaty. It means rather to strike against a person, to assault any one, then to meet or come in an opposite direction, and that not only in a hostile sense, but, as in this instance, and also in , in a friendly sense as well. Hence, “I shall not receive any man, or pardon any man” (Hitzig, Ewald, etc.). According to an old method of writing the passage, there is a pause here. But is still connected with what goes before. As Jehovah is speaking in , but Israel in , and as is unsuitable to form the basis of the words of Jehovah, it must be regarded as the antiphone to (cf., ). Our Redeemer, exclaims the church in joyfully exalted self-consciousness, He is Jehovah of Hosts, the Holy One of Israel! The one name affirms that He possesses the all-conquering might; the other that He possesses the will to carry on the work of redemption - a will influenced and constrained by both love and wrath.

‏ Isaiah 47:4

From the gods of Babylon the proclamation of judgment passes onto Babylon itself. “Come down, and sit in the dust, O virgin daughter Babel; sit on the ground without a throne, O Chaldaeans-daughter! For men no longer call thee delicate and voluptuous. Take the mill, and grind meal: throw back they veil, lift up the train, uncover the thigh, wade through streams. Let thy nakedness be uncovered, even let thy shame be seen; I shall take vengeance, and not spare men. Our Redeemer, Jehovah of hosts is His name, Holy One of Israel.” This is the first strophe in the prophecy. As v. 36 clearly shows, what precedes is a penal sentence from Jehovah. Both בּת in relation to בּתוּלת (Isa 23:12; Isa 37:22), and בּבל and כּשׂדּים in relation to בּת, are appositional genitives; Babel and Chaldeans (כשׂדים as in Isa 48:20) are regarded as a woman, and that as one not yet dishonoured. The unconquered oppressor is threatened with degradation from her proud eminence into shameful humiliation; sitting on the ground is used in the same sense as in Isa 3:26. Hitherto men have called her, with envious admiration, rakkâh va‛ânuggâh (from Deu 28:56), mollis et delicata, as having carefully kept everything disagreeable at a distance, and revelled in nothing but luxury (compare ‛ōneg, Isa 13:22). Debauchery with its attendant rioting (Isa 14:11; Isa 25:5), and the Mylitta worship with its licensed prostitution (Herod. i. 199), were current there; but now all this was at an end. תוסיפי, according to the Masora, has only one pashta both here and in Isa 47:5, and so has the tone upon the last syllable, and accordingly metheg in the antepenult. Isaiah’s artistic style may be readily perceived both in the three clauses of Isa 47:1 that are comparable to a long trumpet-blast (compare Isa 40:9 and Isa 16:1), and also in the short, rugged, involuntarily excited clauses that follow. The mistress becomes the maid, and has to perform the low, menial service of those who, as Homer says in Od. vii. 104, ἀλετρεύουσι μύλης ἔπι μήλοπα καρπόν (grind at the mill the quince-coloured fruit; compare at Job 31:10). She has to leave her palace as a prisoner of war, and, laying aside all feminine modesty, to wade through the rivers upon which she borders. Chespı̄ has ĕ instead of ĭ, and, as in other cases where a sibilant precedes, the mute p instead of f (compare 'ispı̄, Jer 10:17). Both the prosopopeia and the parallel, “thy shame shall be seen,” require that the expression “thy nakedness shall be uncovered” should not be understood literally. The shame of Babel is her shameful conduct, which is not to be exhibited in its true colours, inasmuch as a stronger one is coming upon it to rob it of its might and honour. This stronger one, apart from the instrument employed, is Jehovah: vindictam sumam, non parcam homini. Stier gives a different rendering here, namely, “I will run upon no man, i.e., so as to make him give way;” Hahn, “I will not meet with a man,” so destitute of population will Babylon be; and Ruetschi, “I will not step in as a man.” Gesenius and Rosenmüller are nearer to the mark when they suggest non pangam (paciscar)cum homine; but this would require at any rate את־אדם, even if the verb פּגע really had the meaning to strike a treaty. It means rather to strike against a person, to assault any one, then to meet or come in an opposite direction, and that not only in a hostile sense, but, as in this instance, and also in Isa 64:4, in a friendly sense as well. Hence, “I shall not receive any man, or pardon any man” (Hitzig, Ewald, etc.). According to an old method of writing the passage, there is a pause here. But Isa 47:4 is still connected with what goes before. As Jehovah is speaking in Isa 47:5, but Israel in Isa 47:4, and as Isa 47:4 is unsuitable to form the basis of the words of Jehovah, it must be regarded as the antiphone to Isa 47:1-3 (cf., Isa 45:15). Our Redeemer, exclaims the church in joyfully exalted self-consciousness, He is Jehovah of Hosts, the Holy One of Israel! The one name affirms that He possesses the all-conquering might; the other that He possesses the will to carry on the work of redemption - a will influenced and constrained by both love and wrath.