Isa 5:1-7 | KD | STEP | The prophet commenced his first address in chapter 1 like another Moses; the second, which covered no less ground, he opened with the text of an earlier prophecy; and now he commences the third like a musician, addressing both himself and his hearers with enticing words. . “Arise, I will sing of my beloved, a song of my dearest touching his vineyard.” The fugitive rhythm, the musical euphony, the charming assonances in this appeal, it is impossible to reproduce. They are perfectly inimitable. The Lamed in lı̄dı̄dı̄ is the Lamed objecti . The person to whom the song referred, to whom it applied, of whom it treated, was the singer’s own beloved. It was a song of his dearest one (not his cousin, patruelis , as Luther renders it in imitation of the Vulgate, for the meaning of dōd is determined by yâdid , beloved) touching his vineyard. The Lamed in l'carmo is also Lamed objecti . The song of the beloved is really a song concerning the vineyard of the beloved; and this song is a song of the beloved himself, not a song written about him, or attributed to him, but such a song as he himself had sung, and still had to sing. The prophet, by beginning in this manner, was surrounded (either in spirit or in outward reality) by a crowd of people from Jerusalem and Judah. The song is a short one, and runs thus in , : “My beloved had a vineyard on a fatly nourished mountain-horn, and dug it up and cleared it of stones, and planted it with noble vines, and built a tower in it, and also hewed out a wine-press therein; and hoped that it would bring forth grapes, and it brought forth wild grapes.” The vineyard was situated upon a keren , i.e., upon a prominent mountain peak projecting like a horn, and therefore open to the sun on all sides; for, as Virgil says in the Georgics , “ apertos Bacchus amat colles .” This mountain horn was ben - shemen , a child of fatness: the fatness was innate, it belonged to it by nature ( shemen is used, as in , to denote the fertility of a nutritive loamy soil). And the owner of the vineyard spared no attention or trouble. The plough could not be used, from the steepness of the mountain slope: he therefore dug it up, that is to say, he turned up the soil which was to be made into a vineyard with a hoe ( izzēk , to hoe; Arab. mi‛zak , mi‛zaka ); and as he found it choked up with stones and boulders, he got rid of this rubbish by throwing it out sikkēl , a privative piel , lapidibus purgare , then operam consumere in lapides , sc. ejiciendos , to stone, or clear of stones: Ges. §52, 2). After the soil had been prepared he planted it with sorek , i.e., the finest kind of eastern vine, bearing small grapes of a bluish-red, with pips hardly perceptible to the tongue. The name is derived from its colour (compare the Arabic zerka , red wine). To protect and adorn the vineyard which had been so richly planted, he built a tower in the midst of it. The expression “and also” calls especial attention to the fact that he hewed out a wine-trough therein ( yekeb , the trough into which the must or juice pressed from the grapes in the wine-press flows, lacus as distinguished from torcular ); that is to say, in order that the trough might be all the more fixed and durable, he constructed it in a rocky portion of the ground ( Châtsēb bo instead of Chătsab bo , with a and the accent drawn back, because a Beth was thereby easily rendered inaudible, so that Châtsēb is not a participial adjective, as Böttcher supposes). This was a difficult task, as the expression “and also” indicates; and for that very reason it was an evidence of the most confident expectation. But how bitterly was this deceived! The vineyard produced no such fruit, as might have been expected from a sorek plantation; it brought forth no ‛anâbim whatever, i.e., no such grapes as a cultivated vine should bear, but only b'ushim , or wild grapes. Luther first of all adopted the rendering wild grapes , and then altered it to harsh or sour grapes. But it comes to the same thing. The difference between a wild vine and a good vine is only qualitative. The vitis vinifera , like all cultivated plants, is assigned to the care of man, under which it improves; whereas in its wild state it remains behind its true intention (see Genesis , §622). Consequently the word b'ushim (from bâ'ash , to be bad, or smell bad) denotes not only the grapes of the wild vine, which are naturally small and harsh (Rashi, lambruches , i.e., grapes of the labrusca , which is used now, however, as the botanical name of a vine that is American in its origin), but also grapes of a good stock, which have either been spoiled or have failed to ripen. These were the grapes which the vineyard produced, such as you might indeed have expected from a wild vine, but not from carefully cultivated vines of the very choicest kind.

‏ Isaiah 5:1-7

The prophet commenced his first address in chapter 1 like another Moses; the second, which covered no less ground, he opened with the text of an earlier prophecy; and now he commences the third like a musician, addressing both himself and his hearers with enticing words. Isa 1:1. “Arise, I will sing of my beloved, a song of my dearest touching his vineyard.” The fugitive rhythm, the musical euphony, the charming assonances in this appeal, it is impossible to reproduce. They are perfectly inimitable. The Lamed in lı̄dı̄dı̄ is the Lamed objecti. The person to whom the song referred, to whom it applied, of whom it treated, was the singer’s own beloved. It was a song of his dearest one (not his cousin, patruelis, as Luther renders it in imitation of the Vulgate, for the meaning of dōd is determined by yâdid, beloved) touching his vineyard. The Lamed in l'carmo is also Lamed objecti. The song of the beloved is really a song concerning the vineyard of the beloved; and this song is a song of the beloved himself, not a song written about him, or attributed to him, but such a song as he himself had sung, and still had to sing. The prophet, by beginning in this manner, was surrounded (either in spirit or in outward reality) by a crowd of people from Jerusalem and Judah. The song is a short one, and runs thus in Isa 1:1, Isa 1:2 : “My beloved had a vineyard on a fatly nourished mountain-horn, and dug it up and cleared it of stones, and planted it with noble vines, and built a tower in it, and also hewed out a wine-press therein; and hoped that it would bring forth grapes, and it brought forth wild grapes.” The vineyard was situated upon a keren, i.e., upon a prominent mountain peak projecting like a horn, and therefore open to the sun on all sides; for, as Virgil says in the Georgics, “apertos Bacchus amat colles.” This mountain horn was ben-shemen, a child of fatness: the fatness was innate, it belonged to it by nature (shemen is used, as in Isa 28:1, to denote the fertility of a nutritive loamy soil). And the owner of the vineyard spared no attention or trouble. The plough could not be used, from the steepness of the mountain slope: he therefore dug it up, that is to say, he turned up the soil which was to be made into a vineyard with a hoe (izzēk, to hoe; Arab. mi‛zak, mi‛zaka); and as he found it choked up with stones and boulders, he got rid of this rubbish by throwing it out sikkēl, a privative piel, lapidibus purgare, then operam consumere in lapides, sc. ejiciendos, to stone, or clear of stones: Ges. §52, 2). After the soil had been prepared he planted it with sorek, i.e., the finest kind of eastern vine, bearing small grapes of a bluish-red, with pips hardly perceptible to the tongue. The name is derived from its colour (compare the Arabic zerka, red wine). To protect and adorn the vineyard which had been so richly planted, he built a tower in the midst of it. The expression “and also” calls especial attention to the fact that he hewed out a wine-trough therein (yekeb, the trough into which the must or juice pressed from the grapes in the wine-press flows, lacus as distinguished from torcular); that is to say, in order that the trough might be all the more fixed and durable, he constructed it in a rocky portion of the ground (Châtsēb bo instead of Chătsab bo, with a and the accent drawn back, because a Beth was thereby easily rendered inaudible, so that Châtsēb is not a participial adjective, as Böttcher supposes). This was a difficult task, as the expression “and also” indicates; and for that very reason it was an evidence of the most confident expectation. But how bitterly was this deceived! The vineyard produced no such fruit, as might have been expected from a sorek plantation; it brought forth no ‛anâbim whatever, i.e., no such grapes as a cultivated vine should bear, but only b'ushim, or wild grapes. Luther first of all adopted the rendering wild grapes, and then altered it to harsh or sour grapes. But it comes to the same thing. The difference between a wild vine and a good vine is only qualitative. The vitis vinifera, like all cultivated plants, is assigned to the care of man, under which it improves; whereas in its wild state it remains behind its true intention (see Genesis, §622). Consequently the word b'ushim (from bâ'ash, to be bad, or smell bad) denotes not only the grapes of the wild vine, which are naturally small and harsh (Rashi, lambruches, i.e., grapes of the labrusca, which is used now, however, as the botanical name of a vine that is American in its origin), but also grapes of a good stock, which have either been spoiled or have failed to ripen. ^{▼▼In the Jerusalem Talmud such grapes are called ūbshin, the letters being transposed; and in the Mishnah (Ma'aseroth i. 2, Zebî'ith iv 8) הבאישׁ is the standing word applied to grapes that are only half ripe (see Löwy’s Leshon Chachamim, or Wörterbuch des talmudischen Hebräisch, Prag 1845). With reference to the wild grape (τὸ ἀγριόκλημα), a writer, describing the useful plants of Greece, says, “Its fruit (τὰ ἀγριοστάφυλα) consists of very small berries, not much larger than bilberries, with a harsh flavour.”}

These were the grapes which the vineyard produced, such as you might indeed have expected from a wild vine, but not from carefully cultivated vines of the very choicest kind. Isa 5:3-4

The song of the beloved who was so sorely deceived terminates here. The prophet recited it, not his beloved himself; but as they were both of one heart and one soul, the prophet proceeds thus in Isa 5:3 and Isa 5:4 : “And now, O inhabitants of Jerusalem and men of Judah, judge, I pray you, between me and my vineyard! What could have been done more to my vineyard that I have not done in it? Wherefore did I hope that it would bring forth grapes, and it brought forth wild grapes?” The fact that the prophet speaks as if he were the beloved himself, shows at once who the beloved must be. The beloved of the prophet and the lover of the prophet (yâdid and dōd) were Jehovah, with whom he was so united by a union mystica exalted above all earthly love, that, like the angel of Jehovah in the early histories, he could speak as if he were Jehovah Himself (see especially Zec 2:12-13). To any one with spiritual intuition, therefore, the parabolical meaning and object of the song would be at once apparent; and even the inhabitants of Jerusalem and the men of Judah (yoosheeb and iish are used collectively, as in Isa 8:14; Isa 9:8; Isa 22:21, cf., Isa 20:6) were not so stupefied by sin, that they could not perceive to what the prophet was leading. It was for them to decide where the guilt of this unnatural issue lay - that is to say, of this thorough contradiction between the “doing” of the vineyard and the “doing” of the Lord; that instead of the grapes he hoped for, it brought forth wild grapes. (On the expression “what could have been done,” quid faciendum est, mah-la'asoth, see at Hab 1:17, Ges. §132, Anm. 1.) Instead of למה (למּה) we have the more suitable term מדּוּע, the latter being used in relation to the actual cause (Causa efficiens), the former in relation to the object (Causa finalis). The parallel to the second part, viz., Isa 50:2, resembles the passage before us, not only in the use of this particular word, but also in the fact that there, as well as here, it relates to both clauses, and more especially to the latter of the two. We find the same paratactic construction in connection with other conjunctions (cf., Isa 12:1; Isa 65:12). They were called upon to decide and answer as to this what and wherefore; but they were silent, just because they could clearly see that they would have to condemn themselves (as David condemned himself in connection with Nathan’s parable, 2Sa 12:5). The Lord of the vineyard, therefore, begins to speak. He, its accuser, will now also be its judge. Isa 5:5 “Now then, I will tell you what I will do at once to my vineyard: take away its hedge, and it shall be for grazing; pull down its wall, and it shall be for treading down.” Before “now then” (vattâh) we must imagine a pause, as in Isa 3:14. The Lord of the vineyard breaks the silence of the umpires, which indicates their consciousness of guilt. They shall hear from Him what He will do at once to His vineyard (Lamed in l'carmi, as, for example, in Deu 11:6). “I will do:” ani 'ōeh, fut. instans, equivalent to facturus sum (Ges. §134, 2, b). In the inf. abs. which follow He opens up what He will do. On this explanatory use of the inf. abs., see Isa 20:2; Isa 58:6-7. In such cases as these it takes the place of the object, as in other cases of the subject, but always in an abrupt manner (Ges. §131, 1). He would take away the mesucah, i.e., the green thorny hedge (Pro 15:19; Hos 2:8) with which the vineyard was enclosed, and would pull down the gârēd, i.e., the low stone wall (Num 22:24; Pro 24:31), which had been surrounded by the hedge of thorn-bushes to make a better defence, as well as for the protection of the wall itself, more especially against being undermined; so that the vineyard would be given up to grazing and treading down (lxx καταπα'τημα), i.e., would become an open way and gathering-place for man and beast. Isa 5:6

This puts an end to the unthankful vineyard, and indeed a hopeless one.”And I will put an end to it: it shall not be pruned nor digged, and it shall break out in thorns and thistles; and I will command the clouds to rain no rain over it.” “Put an end:” bâthâh (= battâh : Ges. §67, Anm. 11) signifies, according to the primary meaning of bâthath (בּוּת, בּהת, see at Isa 1:29), viz., abscindere, either abscissum = locus abscissus or praeruptus (Isa 7:19), or abscissio = deletio. The latter is the meaning here, where shı̄th bâthâh is a refined expression for the more usual כלה עשׂה, both being construed with the accusative of the thing which is brought to an end. Further pruning and hoeing would do it no good, but only lead to further disappointment: it was the will of the Lord, therefore, that the deceitful vineyard should shoot up in thorns and thistles (âlâh is applied to the soil, as in Isa 34:13 and Pro 24:31; shâimr vâshaith, thorns and thistles, are in the accusative, according to Ges. §138, 1, Anm. 2; and both the words themselves, and also their combination, are exclusively and peculiarly Isaiah's). ^{▼▼Cassel associates shâmir as the name of a plant (saxifraga) with σμὐρις, and shaith with sentis, ἄκανθα; but the name shâmir is not at all applicable to those small delicate plants, which are called saxifraga (stone-breakers) on account of their growing out of clefts in the rock, and so appearing to have split the rock itself. Both shâmir vâshaith and kōts v'dardar, in Gen 3:18, seem rather to point to certain kinds of rhamnus, together with different kinds of thistles. The more arid and waste the ground is, the more does it abound, where not altogether without vegetation, in thorny, prickly, stunted productions.}

In order that it might remain a wilderness, the clouds would also receive commandment from the Lord not to rain upon it. There can be no longer any doubt who the Lord of the vineyard is. He is Lord of the clouds, and therefore the Lord of heaven and earth. It is He who is the prophet’s beloved and dearest one. The song which opened in so minstrel-like and harmless a tone, has now become painfully severe and terribly repulsive. The husk of the parable, which has already been broken through, now falls completely off (cf., Mat 22:13; Mat 25:30). What it sets forth in symbol is really true. This truth the prophet establishes by an open declaration. Isa 5:7 “For the vineyard of Jehovah of hosts is the house of Israel, and the men of Judah are the plantation of His delight: He waited for justice, and behold grasping; for righteousness, and behold a shriek.” The meaning is not that the Lord of the vineyard would not let any more rain fall upon it, because this Lord was Jehovah (which is not affirmed in fact in the words commencing with “for,” Ci), but a more general one. This was how the case stood with the vineyard; for all Israel, and especially the people of Judah, were this vineyard, which had so bitterly deceived the expectations of its Lord, and indeed “the vineyard of Jehovah of hosts,” and therefore of the omnipotent God, whom even the clouds would serve when He came forth to punish. The expression “for” (Ci) is not only intended to vindicate the truth of the last statement, but the truth of the whole simile, including this: it is an explanatory “for” (Ci explic.), which opens the epimythion. “The vineyard of the Lord of hosts” (Cerem Jehovah Zebaoth) is the predicate. “The house of Israel (Beth Yisrâel) was the whole nation, which is also represented in other passages under the same figure of a vineyard (Isa 27:2.; Ps 80, etc.). But as Isaiah was prophet in Judah, he applies the figure more particularly to Judah, which was called Jehovah’s favourite plantation, inasmuch as it was the seat of the divine sanctuary and of the Davidic kingdom. This makes it easy enough to interpret the different parts of the simile employed. The fat mountain-horn was Canaan, flowing with milk and honey (Exo 15:17); the digging of the vineyard, and clearing it of stones, was the clearing of Canaan from its former heathen inhabitants (Psa 54:3); the sorek-vines were the holy priests and prophets and kings of Israel of the earlier and better times (Jer 2:21); the defensive and ornamental tower in the midst of the vineyard was Jerusalem as the royal city, with Zion the royal fortress (Mic 4:8); the winepress-trough was the temple, where, according to Psa 36:9 (8.), the wine of heavenly pleasures flowed in streams, and from which, according to Psa 42:1-11 and many other passages, the thirst of the soul might all be quenched. The grazing and treading down are explained in Jer 5:10 and Jer 12:10. The bitter deception experienced by Jehovah is expressed in a play upon two words, indicating the surprising change of the desired result into the very opposite. The explanation which Gesenius, Caspari, Knobel, and others give of mispâch, viz., bloodshed, does not commend itself; for even if it must be admitted that sâphach occurs once or twice in the “Arabizing” book of Job (Job 30:7; Job 14:19) in the sense of pouring out, this verbal root is strange to the Hebrew (and the Aramaean). Moreover, mispâch in any case would only mean pouring or shedding, and not bloodshed; and although the latter would certainly be possible by the side of the Arabic saffâch, saffâk (shedder of blood), yet it would be such an ellipsis as cannot be shown anywhere else in Hebrew usage. On the other hand, the rendering “leprosy” does not yield any appropriate sense, as mispachath (sappachath) is never generalized anywhere else into the single idea of “dirt” (Luzzatto: sozzura), nor does it appear as an ethical notion. We therefore prefer to connect it with a meaning unquestionably belonging to the verb ספח (see kal, 1Sa 2:36; niphal, Isa 14:1; hithpael, 1Sa 26:19), which is derived in יסף, אסף, סוּף, from the primary notion “to sweep,” spec. to sweep towards, sweep in, or sweep away. Hence we regard mispach as denoting the forcible appropriation of another man’s property; certainly a suitable antithesis to mishpât. The prophet describes, in full-toned figures, how the expected noble grapes had turned into wild grapes, with nothing more than an outward resemblance. The introduction to the prophecy closes here.

The prophecy itself follows next, a seven-fold discourse composed of the six-fold woe contained in vv. 8-23, and the announcement of punishment in which it terminates. In this six-fold woe the prophet describes the bad fruits one by one. In confirmation of our rendering of mispâch, the first woe relates to covetousness and avarice as the root of all evil.