Job 24:10 | KD | STEP | They tear the fatherless from the breast, And defraud the poor. 10 Naked, they slink away without clothes, And hungering they bear the sheaves. 11 Between their walls they squeeze out the oil; They tread the wine-presses, and suffer thirst. 12 In the city vassals groan, And the soul of the oppressed crieth out - And Eloah heedeth not the anomaly. The accentuation of (יגזלו with Dechî , משׁד with Munach ) makes the relation of שׁד יתום genitival. Heidenheim (in a MS annotation to Kimchi’s Lex .) accordingly badly interprets: they plunder from the spoil of the orphan; Ramban better: from the ruin, i.e., the shattered patrimony; both appeal to the Targum, which translates מביזת יתום, like the Syriac version, men bezto de - jatme (comp. Jerome: vim fecerunt depraedantes pupillos ). The original reading, however, is perhaps (vid., Buxtorf, Lex . col. 295) מבּיזא, ἀπὸ βυζίου, from the mother’s breast, as it is also, the lxx (ἀπὸ μαστοῦ), to be translated contrary to the accentuation. Inhuman creditors take the fatherless and still tender orphan away from its mother, in order to bring it up as a slave, and so to obtain payment. If this is the meaning of the passage, it is natural to understand יחבּלוּ, , of distraining; but (1) the poet would then repeat himself tautologically, vid., , where the same thing is far more evidently said; (2) חבל, to distrain, would be construed with על, contrary to the logic of the word. Certainly the phrase חבל על may be in some degree explained by the interpretation, “to impose a fine” (Ew., Hahn), or “to distrain” (Hirz., Welte), or “to oppress with fines” (Schlottm.); but violence is thus done to the usage of the language, which is better satisfied by the explanation of Ralbag (among modern expositors, Ges., Arnh., Vaih., Stick., Hlgst.): and what the unfortunate one possesses they seize; but this על = אשׁר על directly as object is impossible. The passage, , cited by Schultens in its favour, is of a totally different kind. But throughout the Semitic dialects the verb חבל also signifies "to destroy, to treat injuriously” (e.g., Arab. el - châbil , a by-name of Satan); it occurs in this signification in , and according to the analogy of הרע על, 1Ki 17:20, can be construed with על as well as with ל. The poet, therefore, by this construction will have intended to distinguish the one חבל from the other, ; ; and it is with Umbreit to be translated: they bring destruction upon the poor; or better: they take undue advantage of those who otherwise are placed in trying circumstances. The subjects of are these עניים, who are made serfs, and become objects of merciless oppression, and the poet here in indeed repeats what he has already said almost word for word in (comp. ); but there the nakedness was the general calamity of a race oppressed by subjugation, here it is the consequence of the sin of merces retenta laborum, which cries aloud to heaven, practised on those of their own race: they slink away (הלּך, as ) naked ( nude ), without (בּלי = מבּלי, as perhaps sine = absque ) clothing, and while suffering hunger they carry the sheaves (since their masters deny them what, according to , shall not be withheld even from the beasts). Between their walls (שׁוּרת like שׁרות, , Chaldee שׁוּריּא), i.e., the walls of their masters who have made them slaves, therefore under strict oversight, they press out the oil (יצהירוּ, ἅπ. γεγρ.), they tread the wine-vats (יקבים, lacus ), and suffer thirst withal ( fut. consec. according to Ew. §342, a ), without being allowed to quench their thirst from the must which runs out of the presses (נּתּות, torcularia, from which the verb דּרך is here transferred to the vats). Böttch. translates: between their rows of trees, without being able to reach out right or left; but that is least of all suitable with the olives. Carey correctly explains: “the factories or the garden enclosures of these cruel slaveholders.” This reference of the word to the wall of the enclosure is more suitable than to walls of the press-house in particular. From tyrannical oppression in the country, Job now passes over to the abominations of discord and was in the cities.

‏ Job 24:10

Job 24:9-12 9 They tear the fatherless from the breast,

And defraud the poor. 10 Naked, they slink away without clothes,

And hungering they bear the sheaves. 11 Between their walls they squeeze out the oil;

They tread the wine-presses, and suffer thirst. 12 In the city vassals groan, And the soul of the oppressed crieth out -

And Eloah heedeth not the anomaly.

The accentuation of Job 24:9 (יגזלו with Dechî, משׁד with Munach) makes the relation of שׁד יתום genitival. Heidenheim (in a MS annotation to Kimchi’s Lex.) accordingly badly interprets: they plunder from the spoil of the orphan; Ramban better: from the ruin, i.e., the shattered patrimony; both appeal to the Targum, which translates מביזת יתום, like the Syriac version, men bezto de - jatme (comp. Jerome: vim fecerunt depraedantes pupillos). The original reading, however, is perhaps (vid., Buxtorf, Lex. col. 295) מבּיזא, ἀπὸ βυζίου, from the mother’s breast, as it is also, the lxx (ἀπὸ μαστοῦ), to be translated contrary to the accentuation. Inhuman creditors take the fatherless and still tender orphan away from its mother, in order to bring it up as a slave, and so to obtain payment. If this is the meaning of the passage, it is natural to understand יחבּלוּ, Job 24:9, of distraining; but (1) the poet would then repeat himself tautologically, vid., Job 24:3, where the same thing is far more evidently said; (2) חבל, to distrain, would be construed with על, contrary to the logic of the word. Certainly the phrase חבל על may be in some degree explained by the interpretation, “to impose a fine” (Ew., Hahn), or “to distrain” (Hirz., Welte), or “to oppress with fines” (Schlottm.); but violence is thus done to the usage of the language, which is better satisfied by the explanation of Ralbag (among modern expositors, Ges., Arnh., Vaih., Stick., Hlgst.): and what the unfortunate one possesses they seize; but this על = אשׁר על directly as object is impossible. The passage, Deu 7:25, cited by Schultens in its favour, is of a totally different kind.

But throughout the Semitic dialects the verb חבל also signifies "to destroy, to treat injuriously” (e.g., Arab. el - châbil, a by-name of Satan); it occurs in this signification in Job 34:31, and according to the analogy of הרע על, 1Ki 17:20, can be construed with על as well as with ל. The poet, therefore, by this construction will have intended to distinguish the one חבל from the other, Job 22:6; Job 24:3; and it is with Umbreit to be translated: they bring destruction upon the poor; or better: they take undue advantage of those who otherwise are placed in trying circumstances.

The subjects of Job 24:10 are these עניים, who are made serfs, and become objects of merciless oppression, and the poet here in Job 24:10 indeed repeats what he has already said almost word for word in Job 24:7 (comp. Job 31:19); but there the nakedness was the general calamity of a race oppressed by subjugation, here it is the consequence of the sin of merces retenta laborum, which cries aloud to heaven, practised on those of their own race: they slink away (הלּך, as Job 30:28) naked (nude), without (בּלי = מבּלי, as perhaps sine = absque) clothing, and while suffering hunger they carry the sheaves (since their masters deny them what, according to Deu 25:4, shall not be withheld even from the beasts). Between their walls (שׁוּרת like שׁרות, Jer 5:10, Chaldee שׁוּריּא), i.e., the walls of their masters who have made them slaves, therefore under strict oversight, they press out the oil (יצהירוּ, ἅπ. γεγρ.), they tread the wine-vats (יקבים, lacus), and suffer thirst withal (fut. consec. according to Ew. §342, a), without being allowed to quench their thirst from the must which runs out of the presses (נּתּות, torcularia, from which the verb דּרך is here transferred to the vats). Böttch. translates: between their rows of trees, without being able to reach out right or left; but that is least of all suitable with the olives. Carey correctly explains: “the factories or the garden enclosures of these cruel slaveholders.” This reference of the word to the wall of the enclosure is more suitable than to walls of the press-house in particular. From tyrannical oppression in the country, ^{▼▼Brentius here remarks: Quantum igitur judicium in eos futurum est, qui in homines ejusdem carnis, ejusdem patriae, ejusdem fidei, ejusdem Christi committunt quod nec in bruta animalia committendum est, quod malum in Germania frequentissimum est. Vae igitur Germaniae!}

Job now passes over to the abominations of discord and was in the cities.