Job 16:14-22 | KD | STEP | I was at ease, but He hath broken me in pieces; And He hath taken me by the neck and shaken me to pieces, And set me up for a mark for himself. 13 His arrows whistled about me; He pierced my reins without sparing; He poured out my gall upon the ground. 14 He brake through me breach upon breach, He ran upon me like a mighty warrior. He was prosperous and contented, when all at once God began to be enraged against him; the intensive form פּרפּר (Arab. farfara ) signifies to break up entirely, crush, crumble in pieces ( Hithpo. to become fragile, ); the corresponding intensive form פּצפּץ (from פּצץ, Arab. fḍḍ , cogn. נפץ), to beat in pieces ( Polel of a hammer, ), to dash to pieces: taking him by the neck, God raised him on high in order to dash him to the ground with all His might. מטּרה (from נטר, τηρεῖν, like σκοπός from σκέπτισθαι) is the target, as in the similar passage, , distinct from מפגּע, , object of attack and point of attack: God has set me up for a target for himself, in order as it were to try what He and His arrows can do. Accordingly רבּיו (from רבב = רבה, רמה, jacere ) signifies not: His archers (although this figure would be admissible after ; , and the form after the analogy of רב, רע, etc., is naturally taken as a substantival adj.), but, especially since God appears directly as the actor: His arrows (= הצּיו, ), from רב, formed after the analogy of בּז, מס, etc., according to which it is translated by lxx, Targ., Jer., while most of the Jewish expositors, referring to (where we need not, with Böttch., point רבים, and here רביו), interpret by מורי החצים. On all sides, whichever way he might turn himself, the arrows of God flew about him, mercilessly piercing his reins, so that his gall-bladder became empty (comp. , and vid., Psychol . S. 268). It is difficult to conceive what is here said; it is, moreover, not meant to be understood strictly according to the sense: the divine arrows, which are only an image for divinely decreed sufferings, pressed into his inward parts, and wounded the noblest organs of his nature. In follows another figure. He was as a wall which was again and again broken through by the missiles or battering-rams of God, and against which He ran after the manner of besiegers when storming. פּרץ is the proper word for such breaches and holes in a wall generally; here it is connected as obj. with its own verb, according to Ges. §138, rem. 1. The second פרץ (פּרץ with Kametz ) has Ssade minusculum, for some reason unknown to us. The next strophe says what change took place in his own conduct in consequence of this incomprehensible wrathful disposition of God which had vented itself on him.

‏ Job 16:14-22

Job 16:12-14 12 I was at ease, but He hath broken me in pieces;

And He hath taken me by the neck and shaken me to pieces,

And set me up for a mark for himself. 13 His arrows whistled about me;

He pierced my reins without sparing;

He poured out my gall upon the ground. 14 He brake through me breach upon breach,

He ran upon me like a mighty warrior.

He was prosperous and contented, when all at once God began to be enraged against him; the intensive form פּרפּר (Arab. farfara) signifies to break up entirely, crush, crumble in pieces (Hithpo. to become fragile, Isa 24:19); the corresponding intensive form פּצפּץ (from פּצץ, Arab. fḍḍ, cogn. נפץ), to beat in pieces (Polel of a hammer, Jer 23:29), to dash to pieces: taking him by the neck, God raised him on high in order to dash him to the ground with all His might. מטּרה (from נטר, τηρεῖν, like σκοπός from σκέπτισθαι) is the target, as in the similar passage, Lam 3:12, distinct from מפגּע, Job 7:20, object of attack and point of attack: God has set me up for a target for himself, in order as it were to try what He and His arrows can do. Accordingly רבּיו (from רבב = רבה, רמה, jacere) signifies not: His archers (although this figure would be admissible after Job 10:17; Job 19:12, and the form after the analogy of רב, רע, etc., is naturally taken as a substantival adj.), but, especially since God appears directly as the actor: His arrows (= הצּיו, Job 6:4), from רב, formed after the analogy of בּז, מס, etc., according to which it is translated by lxx, Targ., Jer., while most of the Jewish expositors, referring to Jer 50:29 (where we need not, with Böttch., point רבים, and here רביו), interpret by מורי החצים. On all sides, whichever way he might turn himself, the arrows of God flew about him, mercilessly piercing his reins, so that his gall-bladder became empty (comp. Lam 2:11, and vid., Psychol. S. 268). It is difficult to conceive what is here said; ^{▼▼The emptying of the gall takes place if the gall-bladder or any of its ducts are torn; but how the gall itself (without assuming some morbid condition) can flow outwardly, even with a severe wound, is a difficult question, with which only those who have no appreciation of the standpoint of imagery and poetry will distress themselves. [On the ”spilling of the gall” or “bursting of the gall-bladder” among the Arabs, as the working of violent and painful emotions, vid., Zeitschr. der deutschen morgenländ. Gesellsch. Bd. xvi. S. 586, Z. 16ff. - Fl.]} it is, moreover, not meant to be understood strictly according to the sense: the divine arrows, which are only an image for divinely decreed sufferings, pressed into his inward parts, and wounded the noblest organs of his nature. In Job 16:14 follows another figure. He was as a wall which was again and again broken through by the missiles or battering-rams of God, and against which He ran after the manner of besiegers when storming. פּרץ is the proper word for such breaches and holes in a wall generally; here it is connected as obj. with its own verb, according to Ges. §138, rem. 1. The second פרץ (פּרץ with Kametz) has Ssade minusculum, for some reason unknown to us.

The next strophe says what change took place in his own conduct in consequence of this incomprehensible wrathful disposition of God which had vented itself on him. Job 16:15-17 15 I sewed sackcloth upon my skin,

And defiled my horn with dust. 16 My face is exceeding red with weeping,

And on mine eyelids is the shadow of death, 17 Although there is no wrong in my hand,

And my prayer is pure.

Coarse-haired cloth is the recognised clothing which the deeply sorrowful puts on, ἱμάτιον στενοχωρίας καὶ πένθους, as the Greek expositors remark. Job does not say of it that he put it on or slung it round him, but that he sewed it upon his naked body; and this is to be attributed to the hideous distortion of the body by elephantiasis, which will not admit of the use of the ordinary form of clothes. For the same reason he also uses, not עורי, but גּלדּי, which signifies either the scurfy scaly surface (as גּלד and הנליד in Talmudic of the scab of a healing wound, but also occurring e.g., of the bedaggled edge of clothes when it has become dry), or scornfully describes the skin as already almost dead; for the healthy skin is called עזר, גּלד, on the other hand, βύρσα (lxx), hide (esp. when removed from the body), Talm. e.g., sole-leather. We prefer the former interpretation (adopted by Raschi and others): The crust in which the terrible lepra has clothed his skin (vid., on Job 7:5; Job 30:18-19, Job 30:30) is intended. עללתּי in Job 16:15 is referred by Rosenm., Hirz., Ges., and others (as indeed by Saad. and Gecat., who transl. “I digged into”), to עלל (Arab. gll), to enter, penetrate: “I stuck my horn in the dust;” but this signification of the Hebrew עלל is unknown, it signifies rather to inflict pain, or scorn (e.g., Lam 3:51, mine eye causeth pain to my soul), generally with ל, here with the accusative: I have misused, i.e., injured or defiled (as the Jewish expositors explain), my horn with dust. This is not equivalent to my head (as in the Syr. version), but he calls everything that was hitherto his power and pride קרני (lxx, Targ.); all this he has together at the same time injured, i.e., represented as come to destruction, by covering his head with dust and ashes. Job 16:18-22 18 Oh earth, cover thou not my blood,

And let my cry find no resting-place!! - 19 Even now behold in heaven is my Witness,

And One who acknowledgeth me is in the heights! 20 Though the mockers of me are my friends -

To Eloah mine eyes pour forth tears, 21 That He may decide for man against Eloah,

And for the son of man against his friend. 22 For the years that may be numbered are coming on,

And I shall go a way without return.

Blood that is not covered up cries for vengeance, Eze 24:7.; so also blood still unavenged is laid bare that it may find vengeance, Isa 26:21. According to this idea, in the lofty consciousness of his innocence, Job calls upon the earth not to suck in his blood as of one innocently slain, but to let it lie bare, thereby showing that it must be first of all avenged ere the earth can take it up; ^{▼▼As, according to the tradition, it is said to have been impossible to remove the stain of the blood of Zachariah the son of Jehoiada, who was murdered in the court of the temple, until it was removed by the destruction of the temple itself.} and for his cry, i.e., the cry (זעקתי to be explained according to Gen 4:10) proceeding from his blood as from his poured-out soul, he desires that it may urge its way unhindered and unstilled towards heaven without finding a place of rest (Symm. στάσις). Therefore, in the very God who appears to him to be a blood-thirsty enemy in pursuit of him, Job nevertheless hopes to find a witness of his innocence: He will acknowledge his blood, like that of Abel, to be the blood of an innocent man. It is an inward irresistible demand made by his faith which here brings together two opposite principles - principles which the understanding cannot unite - with bewildering boldness. Job believes that God will even finally avenge the blood which His wrath has shed, as blood that has been innocently shed. This faith, which sends forth beyond death itself the word of absolute command contained in Job 16:18, in Job 16:19 brightens and becomes a certain confidence, which draws from the future into the present that acknowledgment which God afterwards makes of him as innocent. The thought of what is unmerited in that decree of wrath which delivers him over to death, is here forced into the background, and in the front stands only the thought of the exaltation of the God in heaven above human short-sightedness, and the thought that no one else but He is the final refuge of the oppressed: even now (i.e., this side of death) ^{▼▼Comp. 1Ki 14:14, where it is probably to be explained: Jehovah shall raise up for himself a king over Israel who shall cut off the house of Jeroboam that day, but what? even now (גם עתה), i.e., He hath raised him up (= but no, even now).} behold in heaven is my witness (הנּה an expression of the actus directus fidei) and my confessor (שׂהר a poetic Aramaism, similar in meaning to עד, lxx ὁ συνίστωπ μου) in the heights. To whom should he flee from the mockery of his friends, who consider his appeal to the testimony of his conscience as the stratagem of a hypocrite! מליצי from הליץ, Psa 119:51, my mockers, i.e., those mocking me, lascivientes in me (vid., Gesch. der jüd. Poesie, S. 200. The short clause, Job 16:20, is, logically at least, like a disjunctive clause with כי or גם־כי, Ewald, §362, b: if his friends mock him - to Eloah, who is after all the best of friends, his eyes pour forth tears (דּלפה, stillat, comp. דּלּוּ of languishing, Isa 38:14), that He may decide (ויוכח voluntative in a final signification, as Job 9:33) for man (ל here, as Isa 11:4; Isa 2:4, of the client) against (עם, as Psa 55:19; Psa 94:16, of an opponent) Eloah, and for the son of man (ל to be supplied here in a similar sense to Job 16:21, comp. Job 15:3) in relation to (ל as it is used in ל ... בּין, e.g., Eze 34:22) his friend. Job longs and hopes for two things from God: (1) that He would finally decide in favour of גבר, i.e., just himself, the patient sufferer, in opposition to God, that therefore God would acknowledge that Job is not a criminal, nor his suffering a merited punishment; (2) that He would decide in favour of בן־אדם, i.e., himself, who is become an Ecce homo, in relation to his human opponent (רעהוּ, not collective, but individualizing or distributive instead of רעיו), who regards him as a sinner undergoing punishment, and preaches to him the penitence that becomes one who has fallen. ויוכח is purposely only used once, and the expression Job 16:21 is contracted in comparison with 21 a: the one decision includes the other; for when God himself destroys the idea of his lot being merited punishment, He also at the same time delivers judgment against the friends who have zealously defended Him against Job as a just judge.

Olsh. approves Ewald’s translation: “That He allows man to be in the right rather than God, and that He judges man against his friend:” but granted even that הוכיח, like שׁפט followed by an acc., may be used in the signification: to grant any one to be in the right (although, with such a construction, it everywhere signifies ἐλέγχειν), this rendering would still not commend itself, on account of the specific gravity of the hope which is here struggling through the darkness of conflict. Job appeals from God to God; he hopes that truth and love will finally decide against wrath. The meaning of הוכיח has reference to the duty of an arbitrator, as in Job 9:33. Schlottm. aptly recalls the saying of the philosophers, which applies here in a different sense from that in which it is meant, nemo contra Deum, nisi Deus ipse. In Job 16:22 Job now establishes the fact that the heavenly witness will not allow him to die a death that he and others would regard as the death of a sinner, from the brevity of the term of life yet granted him, and the hopelessness of man when he is once dead. מספּר שׁנות are years of number = few years (lxx ἔτη ἀριθμητά); comp. the position of the words as they are to be differently understood, Job 15:20. On the inflexion jeethâju, vid., on Job 12:6. Jerome transl. transeunt, but אתה cannot signify this in any Semitic dialect. But even that Job (though certainly the course of elephantiasis can continue for years) is intended to refer to the prospect of some, although few, years of life (Hirz. and others: the few years which I can still look forward to, are drawing on), does not altogether suit the tragic picture. The approach of the years that can be numbered is rather thought of as the approach of their end; and the few years are not those which still remain, but in general the but short span of life allotted to him (Hahn). The arrangement of the words in Job 16:22 also agrees with this, as not having the form of a conclusion (then shall I go, etc.), but that of an independent co-ordinate clause: and a path, there (whence) I come not back (an attributive relative clause according to Ges. §123, 3, b) I shall go (אהלך poetic, and in order to gain a rhythmical fall at the close, for אלך). Now follow, in the next strophe, short ejaculatory clauses: as Oetinger observes, Job chants his own requiem while living.