Lam 3:5 | KD | STEP | "Only upon (against) me does He repeatedly turn His hand." ישׁוּב is subordinated to the idea of יהפך in an adverbial sense; cf. Gesenius, §142, 3, b . "His hand" is the smiting hand of God. אך, " only upon me," expresses the feeling which makes him on whom grievous sufferings have fallen to regard himself as one smitten in a special manner by God. "The whole day," i.e., continually; cf. Lam 1:13. - From onwards this divine chastisement is more minutely set forth under various figures, and first of all as a wasting away of the vital force. בּלּה means to wear out by rubbing, cause to fall away, from בּלה, to be worn out, which is applied to clothes, and then transferred to bodies, ; Psa 49:15. "Flesh and skin" are the exterior and soft constituents of the body, while the bones are the firmer parts. Skin, flesh, and bones together, make up the substance of the human body. forms the foundation of the first clause. "He hath broken my bones" is a reminiscence from the lamentation of Hezekiah in ; cf. ; Job 30:17. The meaning is thus excellently given by Pareau: indicantur animi, fortius irae divinae malorumque sensu conquassati, angores . - The figure in , "He builds round about and encircles me," is derived from the enclosing of a city by besieging it. עלי is to be repeated after wayaqeep. The besieging forces, which encompass him so that he cannot go out and in, are ראשׁ וּתלאה. That the former of these two words cannot mean κεφαλήν μου (lxx), is abundantly evident. ראשׁ or רושׁ is a plant with a very bitter taste, hence a poisonous plant; see on Jer 8:14. As in that passage מי ראשׁ, so here the simple ראשׁ is an emblem of bitter suffering. The combination with תּלאה, "toil," is remarkable, as a case in which a figurative is joined with a literal expression; this, however, does not justify the change of תּלאה into לענה (Castell, Schleussner, etc.). The combination is to be explained on the ground that ראשׁ had become so common a symbol of bitter suffering, that the figure was quite lost sight of behind the thing signified.

‏ Lamentations 3:5

Lam 3:3-5 "Only upon (against) me does He repeatedly turn His hand." ישׁוּב is subordinated to the idea of יהפך in an adverbial sense; cf. Gesenius, §142, 3, b. "His hand" is the smiting hand of God. אך, "only upon me," expresses the feeling which makes him on whom grievous sufferings have fallen to regard himself as one smitten in a special manner by God. "The whole day," i.e., continually; cf. Lam 1:13. - From Lam 3:4 onwards this divine chastisement is more minutely set forth under various figures, and first of all as a wasting away of the vital force. בּלּה means to wear out by rubbing, cause to fall away, from בּלה, to be worn out, which is applied to clothes, and then transferred to bodies, Job 13:28; Psa 49:15. "Flesh and skin" are the exterior and soft constituents of the body, while the bones are the firmer parts. Skin, flesh, and bones together, make up the substance of the human body. Pro 5:11 forms the foundation of the first clause. "He hath broken my bones" is a reminiscence from the lamentation of Hezekiah in Isa 38:13; cf. Psa 51:10; Job 30:17. The meaning is thus excellently given by Pareau: indicantur animi, fortius irae divinae malorumque sensu conquassati, angores. - The figure in Lam 3:5, "He builds round about and encircles me," is derived from the enclosing of a city by besieging it. עלי is to be repeated after wayaqeep. The besieging forces, which encompass him so that he cannot go out and in, are ראשׁ וּתלאה. That the former of these two words cannot mean κεφαλήν μου (lxx), is abundantly evident. ראשׁ or רושׁ is a plant with a very bitter taste, hence a poisonous plant; see on Jer 8:14. As in that passage מי ראשׁ, so here the simple ראשׁ is an emblem of bitter suffering. The combination with תּלאה, "toil," is remarkable, as a case in which a figurative is joined with a literal expression; this, however, does not justify the change of תּלאה into לענה (Castell, Schleussner, etc.). The combination is to be explained on the ground that ראשׁ had become so common a symbol of bitter suffering, that the figure was quite lost sight of behind the thing signified.