Psa 142:1-3 | KD | STEP | This the last of the eight Davidic Psalms, which are derived by their inscriptions from the time of the persecution by Saul (vid., on Ps 34), is inscribed: A Meditation by David, when he was in the cave, a Prayer . Of these eight Psalms, and also bear the name of Maskı̂l (vid., on ); and in this instance תּפּלּה (which occurs besides as an inscription only in ; ; ) is further added, which looks like an explanation of the word maskı̂l (not in use out of the range of Psalm-poetry). The article of במערה, as in , points to the cave of Adullam (1 Sam. 22) or the cave of Engedi (1 Sam. 24), which latter, starting from a narrow concealed entrance, forms such a labyrinthine maze of passages and vaults that the torches and lines of explorers have not to the present time been able to reach the extremities of it. The Psalm does not contain any sure signs of a post-Davidic age; still it appears throughout to be an imitation of older models, and pre-eminently by means of Psa 142:2. (cf. Psa 77:2.) and (cf. ) it comes into a relation of dependence to Ps 77, which is also noticeable in (cf. with Psa 77:12.). The referring back of the two Psalms to David comes under one and the same judgment.

‏ Psalms 142:1-3

Cry Sent Forth from the Prison to the Best of Friends

This the last of the eight Davidic Psalms, which are derived by their inscriptions from the time of the persecution by Saul (vid., on Ps 34), is inscribed: A Meditation by David, when he was in the cave, a Prayer. Of these eight Psalms, Psa 52:1-9 and Psa 54:1-7 also bear the name of Maskı̂l (vid., on Psa 32:1-11); and in this instance תּפּלּה (which occurs besides as an inscription only in Psa 90:1; Psa 102:1; Psa 3:1) is further added, which looks like an explanation of the word maskı̂l (not in use out of the range of Psalm-poetry). The article of במערה, as in Psa 57:1, points to the cave of Adullam (1 Sam. 22) or the cave of Engedi (1 Sam. 24), which latter, starting from a narrow concealed entrance, forms such a labyrinthine maze of passages and vaults that the torches and lines of explorers have not to the present time been able to reach the extremities of it.

The Psalm does not contain any sure signs of a post-Davidic age; still it appears throughout to be an imitation of older models, and pre-eminently by means of Psa 142:2. (cf. Psa 77:2.) and Psa 142:4 (cf. Psa 77:4) it comes into a relation of dependence to Ps 77, which is also noticeable in Psa 143:1-12 (cf. Psa 142:5 with Psa 77:12.). The referring back of the two Psalms to David comes under one and the same judgment. Psa 142:1-3

The emphasis of the first two lines rests upon אל־ה. Forsaken by all created beings, he confides in Jahve. He turns to Him in pathetic and importunate prayer (זעק, the parallel word being התחנּן, as in Psa 30:9), and that not merely inwardly (Exo 14:15), but with his voice (vid., on Psa 3:5) - for audible prayer reacts soothingly, strengtheningly, and sanctifyingly upon the praying one - he pours out before Him his trouble which distracts his thoughts (שׁפך שׂיח as in Psa 102:1, cf. Psa 62:9; Psa 64:2; 1Sa 1:16), he lays open before Him everything that burdens and distresses him. Not as though He did not also know it without all this; on the contrary, when his spirit (רוּחי as in Psa 143:4; Psa 77:4, cf. נפשׁי Jon 2:7, Psa 107:5, לבּי Psa 61:3) within him (עלי, see Psa 42:5) is enshrouded and languishes, just this is his consolation, that Jahve is intimately acquainted with his way together with the dangers that threaten him at every step, and therefore also understands how to estimate the title (right) and meaning of his complaints. The Waw of ואתּה is the same as in 1Ki 8:36, cf. Ps 35. Instead of saying: then I comfort myself with the fact that, etc., he at once declares the fact with which he comforts himself. Supposing this to be the case, there is no need for any alteration of the text in order to get over that which is apparently incongruous in the relation of Psa 142:4 to Psa 142:4.