Psalms 36:6
Psa 36:5-9 (Hebrew_Bible_36:6-10) The poet now turns from this repulsive prospect to one that is more pleasing. He contemplates, and praises, the infinite, ever sure mercy of God, and the salvation, happiness, and light which spring from it. Instead of בּשּׁמים, the expression is בּהשּׁמים, the syncope of the article not taking place. בּ alternating with עד, cf. Psa 57:11, has here, as in Psa 19:5; Psa 72:16, the sense of touching or reaching to the spot that is denoted in connection with it. The poet describes the exaltation and super-eminence of divine mercy and faithfulness figuratively, after earthly standards. They reveal themselves on earth in a height that reaches to the heavens and extends to שׁחקים, i.e., the thin veil of vapour which spreads itself like a veil over the depths of the heavens; they transcend all human thought, desire, and comprehension (Psa 103:11, and cf. Eph 3:18). The צדקה (righteousness) is distinguished from the אמונה (faithfulness) thus: the latter is governed by the promises of God, the former by His holiness; and further, the latter has its being in the love of God, the former, on the other hand, manifests itself partly as justifying in mercies, and partly as avenging in wrath. Concerning the righteousness, the poet says that it is like the mountains of God, i.e., (cf. cedars of God, Psa 80:11) unchangeably firm (Psa 111:3), like the giant primeval mountains which bear witness to the greatness and glory of God; concerning God’s judgments, that they are “a great deep,” incomprehensible and unsearchable (ἀνεξερεύνηται, Rom 11:33) as the great, deep-surging mass of waters in the lower parts of the earth, which becomes visible in the seas and in the rivers. God’s punitive righteousness, as at length becomes evident, has His compassion for its reverse side; and this, as in the case of the Flood (cf. Jon 4:11), embraces the animal world, which is most closely involved, whether for weal or for woe, with man, as well as mankind. Lost in this depth, which is so worthy of adoration, the Psalmist exclaims: How precious (cf. Psa 139:17) is Thy mercy, Elohim! i.e., how valuable beyond all treasures, and how precious to him who knows how to prize it! The Waw of וּבני is the explicative Waw = et hoc ipsum quod. The energetic form of the future, יחסיוּן, has the pre-tonic Kametz, here in pause, as in Psa 36:8; Psa 39:7; Psa 78:44. The shadow of God’s wings is the protection of His love, which hides against temptation and persecution. To be thus hidden in God is the most unspeakable blessedness, Psa 36:9 : they satiate themselves, they drink full draughts of “the fatness of Thy house.” The house of God is His sanctuary, and in general the domain of His mercy and grace. דּשׁן (cf. טוּב, Psa 65:5) is the expression for the abundant, pleasant, and powerful gifts and goods and recreations with which God entertains those who are His; and רוה (whence ירוין, as in Deu 8:13; Isa 40:18) is the spiritual joy of the soul that experiences God’s mercy to overflowing. The abundant fare of the priests from Jahve’s table (vid., Jer 31:14), and the festive joy of the guests at the shelamim-offering, i.e., the communion-offering, - these outward rites are here treated according to their spiritual significance, receive the depth of meaning which radically belongs to them, and are ideally generalized. It is a stream of pleasures (עדנים) with which He irrigates and fertilizes them, a paradisaic river of delights. This, as the four arms of the river of Paradise had one common source (Gen 2:10), has its spring in God, yea, God is the fountain itself. He is “the fountain of life” (Jer 2:13); all life flows forth from Him, who is the absolutely existing and happy One. The more inwardly, therefore, one is joined to Him, the fuller are the draughts of life which he drinks from this first fountain of all life. And as God is the fountain of life, so also is He the fountain of light: “In Thy light do we see light;” out of God, seeing we see only darkness, whereas immersed in God’s sea of light we are illumined by divine knowledge, and lighted up with spiritual joy. The poet, after having taken a few glimpses into the chaos of evil, here moves in the blessed depths of holy mysticism [Mystik, i.e., mysticism in the good sense - true religion, vital godliness], and in proportion as in the former case his language is obscure. So here it is clear as crystal.
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