Psa 68:25-28 | KD | STEP | Now begins the second circuit of the hymn. Comforted by the majestic picture of the future that he has beheld, the poet returns to the present, in which Israel is still oppressed, but yet not forsaken by God. The translation follows the accentuation, regular and in accordance with the sense, which has been restored by Baer after Heidenheim, viz., אדני has Zarka , and יעמס לנוּ Olewejored preceded by the sub-distinctive Rebia parvum ; it is therefore: Benedictus Dominator: quotidie bajulat nobis , - with which the Targum, Rashi, and Kimchi agree. עמס, like נשׂא and סבל, unites the significations to lay a burden upon one (Zec 12:3; , ), and to carry a burden; with על it signifies to lay a burden upon any one, here with ל to take up a burden for any one and to bear it for him. It is the burden or pressure of the hostile world that is meant, which the Lord day by day helps His church to bear, inasmuch as He is mighty by His strength in her who of herself is so feeble. The divine name אל, as being the subject of the sentence, is האל: God is our salvation. The music here again strikes in forte , and the same thought that is emphasized by the music in its turn, is also repeated in with heightened expression: God is to us a God למושׁעות, who grants us help in rich abundance. The pluralet . denotes not so much the many single proofs of help, as the riches of rescuing power and grace. In למּות corresponds to the לנוּ; for it is not to be construed תּוצאות למּות: Jahve’s, the Lord, are the outgoings to death (Böttcher), i.e., He can command that one shall not fall a prey to death. תוצאות, the parallel word to מושׁעות, signifies, and it is the most natural meaning, the escapings; יצא, evadere , as in ; 2Ki 13:5; Ecc 7:18. In Jahve’s power are means of deliverance for death, i.e., even for those who are already abandoned to death. With אך a joyously assuring inference is drawn from that which God is to Israel. The parallelism of the correctly divided verse shows that ראשׁ here, as in , signifies caput in the literal sense, and not in the sense of princeps . The hair-covered scalp is mentioned as a token of arrogant strength, and unhumbled and impenitent pride, as in , and as the Attic koma'n directly signifies to strut along, give one’s self airs. The genitival construction is the same as in , . The form of expression refers back to Num 24:17, and so to speak inflects this primary passage very similarly to Jer 48:45. If קדקד שׂער be an object, then ראשׁ ought also to be a second object (that of the member of the body); the order of the words does not in itself forbid this (cf. with ), but would require a different arrangement in order to avoid ambiguities. In the poet hears a divine utterance, or records one that he has heard: “From Bashan will I bring back, I will bring back from the eddies of the sea (from צוּל = צלל, to whiz, rattle; to whirl, eddy), i.e., the depths or abysses of the sea.” Whom? When after the destruction of Jerusalem a ship set sail for Rome with a freight of distinguished and well-formed captives before whom was the disgrace of prostitution, they all threw themselves into the sea, comforting themselves with this passage of Scripture ( Gittin 57 b , cf. Echa Rabbathi 66 a ). They therefore took to be a promise which has Israel as its object; but the clause expressing a purpose, , and the paraphrase in Amo 9:2., show that the foes of Israel are conceived of as its object. Even if these have hidden themselves in the most out-of-the-way places, God will fetch them back and make His own people the executioners of His justice upon them. The expectation is that the flight of the defeated foes will take a southernly direction, and that they will hide themselves in the primeval forests of Bashan, and still farther southward in the depths of the sea, i.e., of the Dead Sea (ים as in ; ). Opposite to the hiding in the forests of the mountainous Bashan stands the hiding in the abyss of the sea, as the extreme of remoteness, that which is in itself impossible being assumed as possible. The first member of the clause expressing the purpose, , becomes more easy and pleasing if we read תּרחץ (lxx, Syriac, and Vulgate, ut intingatur ), according to Psa 58:11. So far as the letters are concerned, the conjecture תּחמץ (from which תמחץ, according to Chajug', is transposed), after , is still more natural (Hitzig): that thy foot may redden itself in blood. This is certainly somewhat tame, and moreover מדּם would be better suited to this rendering than בּדם. As the text now stands, תּמחץ is equivalent to תּמחצם (them, viz., the enemies), and רגלך בּדם is an adverbial clause (setting or plunging thy foot in blood). It is, however, also possible that מחץ is used like Arab. machaḍa ( vehementer commovere ): ut concutias s. agites pedem tuam in sanguine . Can it now be that in from among the number of the enemies of the one who goes about glorying in his sins, the רשׁע κατ ̓ ἐξοχήν (cf. ; , and other passages), is brought prominently forward by מנּהוּ? Hardly so; the absence of תּלק ( lambat ) cannot be tolerated, cf. 1Ki 21:19; 1Ki 22:38. It is more natural, with Simonis, to refer מנּהוּ back to לשׁון (a word which is usually fem ., but sometimes perhaps is masc ., ; ); and, since side by side with ממּנוּ only מנהוּ occurs anywhere else (Ew. §263, b ), to take it in the signification pars ejus (מן from מנן = מגה, after the form גּז, חן, קץ, of the same meaning as מגה, מנת, ), in favour of which Hupfeld also decides. What is now described in , is not the rejoicing over a victory gained in the immediate past, nor the rejoicing over the earlier deliverance at the Red Sea, but Israel’s joyful celebration when it shall have experienced the avenging and redemptive work of its God and King. According to ; , הליכות appears to be God’s march against the enemy; but what follows shows that the pompa magnifica of God is intended, after He has overcome the enemy. Israel’s festival of victory is looked upon as a triumphal procession of God Himself, the King, who governs in holiness, and has now subjugated and humbled the unholy world; בּקּדשׁ as in Psa 68:18. The rendering “in the sanctuary' is very natural in this passage, but ; , are against it. The subject of ראוּ is all the world, more especially those of the heathen who have escaped the slaughter. The perfect signifies: they have seen, just as קדּמוּ, they have occupied the front position. Singers head the procession, after them (אחר, an adverb as in ; ) players upon citherns and harps (נגנים, participle to נגּן), and on either side virgins with timbrels (Spanish adufe ); תּופפות, apocopated part. Poel with the retension of ē (cf. שׁוקקה, ), from תּפף, to strike the תּף (Arab. duff ). It is a retrospective reference to the song at the Sea, now again come into life, which Miriam and the women of Israel sang amidst the music of timbrels. The deliverance which is now being celebrated is the counterpart of the deliverance out of Egypt. Songs resound as in , “in gatherings of the congregation (and, so to speak, in full choirs) praise ye Elohim.” מקהלות (מקהלים, ) is the plural to קהל ( ), which forms none of its own (cf. post-biblical קהלּות from קהלּה). is abridged from ברכו אדני אשׁר אתם ממקור ישראל, praise ye the Lord, ye who have Israel for your fountainhead. אדני, in accordance with the sense, has Mugrash. Israel is here the name of the patriarch, from whom as from its fountainhead the nation has spread itself abroad; cf. ; , and as to the syntax ממּך, those who descend from thee, Isa 58:12. In the festive assembly all the tribes of Israel are represented by their princes. Two each from the southern and northern tribes are mentioned. Out of Benjamin was Israel’s first king, the first royal victor over the Gentiles; and in Benjamin, according to the promise ( ) and according to the accounts of the boundaries (Jos 18:16., Jos 15:7.), lay the sanctuary of Israel. Thus, therefore, the tribe which, according both to order of birth (Gen 43:29.) and also extent of jurisdiction and numbers ( ), was “little,” was honoured beyond the others. Judah, however, came to the throne in the person of David, and became for ever the royal tribe. Zebulun and Naphtali are the tribes highly praised in Deborah’s song of victory (Jdg 5:18, cf. ) on account of their patriotic bravery. רדם, giving no sense when taken from the well-known verb רדם, falls back upon רדה, and is consequently equivalent to רדם (cf. ), subduing or ruling them; according to the sense, equivalent to רדה בם (1 Kings 5:30; 1Ki 9:23; ), like המּצלם, not “their leader up,” but ὁ ἀναγαγὼν αὐτοὺς, , not = רדיהם (like עשׂיהם, ראיהם), which would signify their subduer or their subduers. The verb רדה, elsewhere to subjugate, oppress, hold down by force, ; , is here used of the peaceful occupation of the leader who maintains the order of a stately and gorgeous procession. For the reference to the enemies, “their subduer,” is without any coherence. But to render the parallel word רגמתם “their (the enemies') stoning” (Hengstenberg, Vaihinger, and others, according to Böttcher’s “Proben” ), is, to say nothing more, devoid of taste; moreover רגם does not mean to throw stones with a sling, but to stone as a judicial procedure. If we assign to the verb רגם the primary signification congerere, accumulare , after Arab. rajama VIII, and rakama , then רגמתם signifies their closely compacted band, as Jewish expositors have explained it (קהלם או קבוצם). Even if we connect רגם with רקם, variegare , or compare the proper name regem = Arab. rajm , socius (Böttcher), we arrive at much the same meaning. Hupfeld’s conjecture רגשׁתם is consequently unnecessary.

‏ Psalms 68:25-28

Now begins the second circuit of the hymn. Comforted by the majestic picture of the future that he has beheld, the poet returns to the present, in which Israel is still oppressed, but yet not forsaken by God. The translation follows the accentuation, regular and in accordance with the sense, which has been restored by Baer after Heidenheim, viz., אדני has Zarka, and יעמס לנוּ Olewejored preceded by the sub-distinctive Rebia parvum; it is therefore: Benedictus Dominator: quotidie bajulat nobis, - with which the Targum, Rashi, and Kimchi agree. ^{▼▼According to the customary accentuation the second יום has Mercha or Olewejored, and יעמס־לנוּ, Mugrash. But this Mugrash has the position of the accents of the Silluk-member against it; for although it does exceptionally occur that two conjunctives follow Mugrash (Accentsystem, xvii. §5), yet these cannot in any case be Mahpach sarkatum and Illui.} עמס, like נשׂא and סבל, unites the significations to lay a burden upon one (Zec 12:3; Isa 46:1, Isa 46:3), and to carry a burden; with על it signifies to lay a burden upon any one, here with ל to take up a burden for any one and to bear it for him. It is the burden or pressure of the hostile world that is meant, which the Lord day by day helps His church to bear, inasmuch as He is mighty by His strength in her who of herself is so feeble. The divine name אל, as being the subject of the sentence, is האל: God is our salvation. The music here again strikes in forte, and the same thought that is emphasized by the music in its turn, is also repeated in Psa 68:21 with heightened expression: God is to us a God למושׁעות, who grants us help in rich abundance. The pluralet. denotes not so much the many single proofs of help, as the riches of rescuing power and grace. In Psa 68:21 למּות corresponds to the לנוּ; for it is not to be construed תּוצאות למּות: Jahve’s, the Lord, are the outgoings to death (Böttcher), i.e., He can command that one shall not fall a prey to death. תוצאות, the parallel word to מושׁעות, signifies, and it is the most natural meaning, the escapings; יצא, evadere, as in 1Sa 14:41; 2Ki 13:5; Ecc 7:18. In Jahve’s power are means of deliverance for death, i.e., even for those who are already abandoned to death. With אך a joyously assuring inference is drawn from that which God is to Israel. The parallelism of the correctly divided verse shows that ראשׁ here, as in Psa 110:6, signifies caput in the literal sense, and not in the sense of princeps. The hair-covered scalp is mentioned as a token of arrogant strength, and unhumbled and impenitent pride, as in Deu 32:42, and as the Attic koma'n directly signifies to strut along, give one’s self airs. The genitival construction is the same as in Isa 28:1, Isa 32:13. The form of expression refers back to Num 24:17, and so to speak inflects this primary passage very similarly to Jer 48:45. If קדקד שׂער be an object, then ראשׁ ought also to be a second object (that of the member of the body); the order of the words does not in itself forbid this (cf. Psa 3:8 with Deu 33:11), but would require a different arrangement in order to avoid ambiguities.

In Psa 68:23 the poet hears a divine utterance, or records one that he has heard: “From Bashan will I bring back, I will bring back from the eddies of the sea (from צוּל = צלל, to whiz, rattle; to whirl, eddy), i.e., the depths or abysses of the sea.” Whom? When after the destruction of Jerusalem a ship set sail for Rome with a freight of distinguished and well-formed captives before whom was the disgrace of prostitution, they all threw themselves into the sea, comforting themselves with this passage of Scripture (Gittin 57 b, cf. Echa Rabbathi 66 a). They therefore took Psa 68:23 to be a promise which has Israel as its object; ^{▼▼So also the Targum, which understands the promise to refer to the restoration of the righteous who have been eaten by wild beasts and drowned in the sea (Midrash: מבשׁן = מבין שׁני אריות); cf. also the things related from the time of the Khaliphs in Jost’s Geschichte des Judenthums, ii. 399, and Grätz' Gesch. der Juden, v. 347.} but the clause expressing a purpose, Psa 68:24, and the paraphrase in Amo 9:2., show that the foes of Israel are conceived of as its object. Even if these have hidden themselves in the most out-of-the-way places, God will fetch them back and make His own people the executioners of His justice upon them. The expectation is that the flight of the defeated foes will take a southernly direction, and that they will hide themselves in the primeval forests of Bashan, and still farther southward in the depths of the sea, i.e., of the Dead Sea (ים as in Isa 16:8; 2Ch 20:2). Opposite to the hiding in the forests of the mountainous Bashan stands the hiding in the abyss of the sea, as the extreme of remoteness, that which is in itself impossible being assumed as possible. The first member of the clause expressing the purpose, Psa 68:24, becomes more easy and pleasing if we read תּרחץ (lxx, Syriac, and Vulgate, ut intingatur), according to Psa 58:11. So far as the letters are concerned, the conjecture תּחמץ (from which תמחץ, according to Chajug', is transposed), after Isa 63:1, is still more natural (Hitzig): that thy foot may redden itself in blood. This is certainly somewhat tame, and moreover מדּם would be better suited to this rendering than בּדם. As the text now stands, תּמחץ ^{▼▼The Gaja of the first closed syllable warns one to make a proper pause upon it, in order that the guttural of the second, so apt to be slurred over, may be distinctly pronounced; cf. תּבחר, Psa 65:5; הרחיק, Psa 103:12. So also with the sibilants at the beginning of the second syllable, e.g., תּדשׁא, Gen 1:11, in accordance with which, in Gen 14:1; 53:2, we must write השׁתיתו והתעיבו.} is equivalent to תּמחצם (them, viz., the enemies), and רגלך בּדם is an adverbial clause (setting or plunging thy foot in blood). It is, however, also possible that מחץ is used like Arab. machaḍa (vehementer commovere): ut concutias s. agites pedem tuam in sanguine. Can it now be that in Psa 68:24 from among the number of the enemies of the one who goes about glorying in his sins, the רשׁע κατ ̓ ἐξοχήν (cf. Isa 11:4; Hab 3:13, and other passages), is brought prominently forward by מנּהוּ? Hardly so; the absence of תּלק (lambat) cannot be tolerated, cf. 1Ki 21:19; 1Ki 22:38. It is more natural, with Simonis, to refer מנּהוּ back to לשׁון (a word which is usually fem., but sometimes perhaps is masc., Psa 22:16; Pro 26:28); and, since side by side with ממּנוּ only מנהוּ occurs anywhere else (Ew. §263, b), to take it in the signification pars ejus (מן from מנן = מגה, after the form גּז, חן, קץ, of the same meaning as מגה, מנת, Psa 63:11), in favour of which Hupfeld also decides.

What is now described in Psa 68:25-28, is not the rejoicing over a victory gained in the immediate past, nor the rejoicing over the earlier deliverance at the Red Sea, but Israel’s joyful celebration when it shall have experienced the avenging and redemptive work of its God and King. According to Psa 77:14; Hab 3:6, הליכות appears to be God’s march against the enemy; but what follows shows that the pompa magnifica of God is intended, after He has overcome the enemy. Israel’s festival of victory is looked upon as a triumphal procession of God Himself, the King, who governs in holiness, and has now subjugated and humbled the unholy world; בּקּדשׁ as in Psa 68:18. The rendering “in the sanctuary' is very natural in this passage, but Exo 15:11; Psa 77:14, are against it. The subject of ראוּ is all the world, more especially those of the heathen who have escaped the slaughter. The perfect signifies: they have seen, just as קדּמוּ, they have occupied the front position. Singers head the procession, after them (אחר, ^{▼▼This אחר, according to B. Nedarim 37 b, is a so-called עטור סופרים (ablatio scribarum), the sopherim (sofrim) who watched over the faithful preservation of the text having removed the reading ואחר, so natural according to the sense, here as in Gen 18:5; Gen 24:55; Num 31:2, and marked it as not genuine.} an adverb as in Gen 22:13; Exo 5:1) players upon citherns and harps (נגנים, participle to נגּן), and on either side virgins with timbrels (Spanish adufe); תּופפות, apocopated part. Poel with the retension of ē (cf. שׁוקקה, Psa 107:9), from תּפף, to strike the תּף (Arab. duff). It is a retrospective reference to the song at the Sea, now again come into life, which Miriam and the women of Israel sang amidst the music of timbrels. The deliverance which is now being celebrated is the counterpart of the deliverance out of Egypt. Songs resound as in Psa 68:27, “in gatherings of the congregation (and, so to speak, in full choirs) praise ye Elohim.” מקהלות (מקהלים, Psa 26:12) is the plural to קהל (Psa 22:23), which forms none of its own (cf. post-biblical קהלּות from קהלּה). Psa 68:27 is abridged from ברכו אדני אשׁר אתם ממקור ישראל, praise ye the Lord, ye who have Israel for your fountainhead. אדני, in accordance with the sense, has Mugrash. Israel is here the name of the patriarch, from whom as from its fountainhead the nation has spread itself abroad; cf. Isa 48:1; Isa 51:1, and as to the syntax ממּך, those who descend from thee, Isa 58:12. In the festive assembly all the tribes of Israel are represented by their princes. Two each from the southern and northern tribes are mentioned. Out of Benjamin was Israel’s first king, the first royal victor over the Gentiles; and in Benjamin, according to the promise (Deu 33:12) and according to the accounts of the boundaries (Jos 18:16., Jos 15:7.), lay the sanctuary of Israel. Thus, therefore, the tribe which, according both to order of birth (Gen 43:29.) and also extent of jurisdiction and numbers (1Sa 9:21), was “little,” was honoured beyond the others. ^{▼▼Tertullian calls the Apostle Paul, with reference to his name and his Benjamitish origin, parvus Benjamin, just as Augustine calls the poetess of the Magnificat, nostra tympanistria.}

Judah, however, came to the throne in the person of David, and became for ever the royal tribe. Zebulun and Naphtali are the tribes highly praised in Deborah’s song of victory (Jdg 5:18, cf. Psa 4:6) on account of their patriotic bravery. רדם, giving no sense when taken from the well-known verb רדם, falls back upon רדה, and is consequently equivalent to רדם (cf. Lam 1:13), subduing or ruling them; according to the sense, equivalent to רדה בם (1 Kings 5:30; 1Ki 9:23; 2Ch 8:10), like המּצלם, not “their leader up,” but ὁ ἀναγαγὼν αὐτοὺς, Isa 63:11, not = רדיהם (like עשׂיהם, ראיהם), which would signify their subduer or their subduers. The verb רדה, elsewhere to subjugate, oppress, hold down by force, Eze 34:4; Lev 25:53, is here used of the peaceful occupation of the leader who maintains the order of a stately and gorgeous procession. For the reference to the enemies, “their subduer,” is without any coherence. But to render the parallel word רגמתם “their (the enemies') stoning” (Hengstenberg, Vaihinger, and others, according to Böttcher’s “Proben”), is, to say nothing more, devoid of taste; moreover רגם does not mean to throw stones with a sling, but to stone as a judicial procedure. If we assign to the verb רגם the primary signification congerere, accumulare, after Arab. rajama VIII, and rakama, then רגמתם signifies their closely compacted band, as Jewish expositors have explained it (קהלם או קבוצם). Even if we connect רגם with רקם, variegare, or compare the proper name regem = Arab. rajm , socius (Böttcher), we arrive at much the same meaning. Hupfeld’s conjecture רגשׁתם is consequently unnecessary. Psa 68:28-35

The poet now looks forth beyond the domain of Israel, and describes the effects of Jahve’s deed of judgment and deliverance in the Gentile world. The language of Psa 68:29 is addressed to Israel, or rather to its king (Psa 86:16; Psa 110:2): God, to whom everything is subject, has given Israel עז, victory and power over the world. Out of the consciousness that He alone can preserve Israel upon this height of power upon which it is placed, who has placed it thereon, grows the prayer: establish (עוּזּה with וּ for ŭ, as is frequently the case, and with the accent on the ultima on account of the following Aleph, vid., on Psa 6:5), Elohim, that which Thou hast wrought for us; עזז, roborare, as in Pro 8:28; Ecc 7:19, lxx δυνάμωσον, Symmachus ἐνίσχυσον. It might also be interpreted: show Thyself powerful (cf. רוּמה, 21:14), Thou who (Isa 42:24) hast wrought for us (פּעל as in Isa 43:13, with ל, like עשׂה ל, Isa 64:3); but in the other way of taking it the prayer attaches itself more sequentially to what precedes, and Psa 62:12 shows that זוּ can also represent the neuter. Hitzig has a still different rendering: the powerful divine help, which Thou hast given us; but although - instead of -ת in the stat. construct. is Ephraimitish style (vid., on Psa 45:5), yet עוּזּה for עז is an unknown word, and the expression “from Thy temple,” which is manifestly addressed to Elohim, shows that פּעלתּ is not the language of address to the king (according to Hitzig, to Jehoshaphat). The language of prayerful address is retained in Psa 68:30. From the words מהיכלך על ירושׁלם there is nothing to be transported to Psa 68:29 (Hupfeld); for Psa 68:30 would thereby become stunted. The words together are the statement of the starting-point of the oblations belonging to יובילוּ: starting from Thy temple, which soars aloft over Jerusalem, may kings bring Thee, who sittest enthroned there in the Holy of holies, tributary gifts (שׁי as in Psa 76:12; Psa 18:7). In this connection (of prayer) it is the expression of the desire that the Temple may become the zenith or cynosure, and Jerusalem the metropolis, of the world. In this passage, where it introduces the seat of religious worship, the taking of מן as expressing the primary cause, “because or on account of Thy Temple” (Ewald), is not to be entertained.

In Psa 68:31 follows a summons, which in this instance is only the form in which the prediction clothes itself. The “beast of the reed” is not the lion, of which sojourn among the reeds is not a characteristic (although it makes its home inter arundineta Mesopotamiae, Ammianus, Psa 18:7, and in the thickets of the Jordan, Jer 49:19; Jer 50:44; Zec 11:3). The reed is in itself an emblem of Egypt (Isa 36:6, cf. Psa 19:6), and it is therefore either the crocodile, the usual emblem of Pharaoh and of the power of Egypt (Eze 29:3, cf. Psa 74:13.) that is meant, or even the hippopotamus (Egyptian p - ehe - môut), which also symbolizes Egypt in Isa 30:6 (which see), and according to Job 40:21 is more appropriately than the crocodile (התנין אשׁר בּיּם, Isa 27:1) called היּת קנה. Egypt appears here as the greatest and most dreaded worldly power. Elohim is to check the haughty ones who exalt themselves over Israel and Israel’s God. אבּירים, strong ones, are bulls (Psa 22:13) as an emblem of the kings; and עגלי explains itself by the genit. epexeg. עמּים .gexep: together with (Beth of the accompaniment as in Psa 68:31, Psa 66:13, and beside the plur. humanus, Jer 41:15) the calves, viz., the peoples, over whom those bulls rule. With the one emblem of Egypt is combined the idea of defiant self-confidence, and with the other the idea of comfortable security (vid., Jer 46:20.). That which is brought prominently forward as the consequence of the menace is moulded in keeping with these emblems. מתרפּס, which has been explained by Flaminius substantially correctly: ut supplex veniat, is intended to be taken as a part. fut. (according to the Arabic grammar, ḥâl muqaddar, lit., a predisposed condition). It thus comprehensively in the singular (like עבר in Psa 8:9) with one stroke depicts thoroughly humbled pride; for רפס (cf. רמס) signifies to stamp, pound, or trample, to knock down, and the Hithpa. either to behave as a trampling one, Pro 6:3, or to trample upon one’s self, i.e., to cast one’s self violently upon the ground. Others explain it as conculcandum se praebere; but such a meaning cannot be shown to exist in the sphere of the Hebrew Hithpael; moreover this “suffering one’s self to be trampled upon” does not so well suit the words, which require a more active sense, viz., בּרצּי־כסףcep, in which is expressed the idea that the riches which the Gentiles have hitherto employed in the service of God-opposed worldliness, are no offered to the God of Israel by those who both in outward circumstances and in heart are vanquished (cf. Isa 60; 9). רץ־כּסף (from רצץ, confringere) is a piece of uncoined silver, a bar, wedge, or ingot of silver. In בּזּר there is a wide leap from the call גּער to the language of description. This rapid change is also to be found in other instances, and more especially in this dithyrambic Psalm we may readily give up any idea of a change in the pointing, as בּזּר or בּזּר (lxx διασκόρπισον); בּזּר, as it stands, cannot be imperative (Hitzig), for the final vowel essential to the imperat. Piel is wanting. God hath scattered the peoples delighting in war; war is therefore at an end, and the peace of the world is realized.

In Psa 68:32, the contemplation of the future again takes a different turn: futures follow as the most natural expression of that which is future. The form יאתיוּ, more usually found in pause, here stands pathetically at the beginning, as in Job 12:6. השׁמנּים, compared with the Arabic chšm (whence Arab. chaššm, a nose, a word erroneously denied by Gesenius), would signify the supercilious, contemptuous (cf. Arab. âšammun , nasutus, as an appellation of a proud person who will put up with nothing). On the other hand, compared with Arab. ḥšm, it would mean the fat ones, inasmuch as this verbal stem (root Arab. ḥšš , cf. השׁרת, 2Sa 22:12), starting from the primary signification “to be pressed together,” also signifies “to be compressed, become compact,” i.e., to regain one’s plumpness, to make flesh and fat, applied, according to the usage of the language, to wasted men and animals. The commonly compared Arab. ḥšı̂m , vir magni famulitii, is not at all natural, - a usage which is brought about by the intransitive signification proper to the verb starting from its radical signification, “to become or be angry, to be zealous about any one or anything,” inasmuch as the nomen verbale Arab. hạšamun signifies in the concrete sense a person, or collectively persons, for whose maintenance, safety, and honour one is keenly solicitous, such as the members of the family, household attendants, servants, neighbours, clients or protègés, guest-friends; also a thing which one ardently seeks, and over the preservation of which one keeps zealous watch (Fleischer). Here there does not appear to be any connecting link whatever in the Arabic which might furnish some hold for the Hebrew; hence it will be more advisable, by comparison of השׁמל and חשׁן, to understand by חשׁמנים, the resplendent, most distinguished ones, perillustres. The dignitaries of Egypt come to give glory to the God of Israel, and Aethiopia, disheartened by fear before Jahve (cf. Hab 3:7), causes his hands to run to Elohim, i.e., hastens to stretch them out. Thus it is interpreted by most expositors. But if it is ידיו, why is it not also יריץ? We reply, the Hebrew style, even in connection with words that stand close beside one another, does not seek to avoid either the enallage generis (e.g., Job 39:3, Job 39:16), or the enall. numeri (e.g., Psa 62:5). But “to cause the hands to run” is a far-fetched and easily misunderstood figure. We may avoid it, if, with Böttcher and Olshausen, we disregard the accentuation and interpret thus, “Cush - his hands cause to hasten, i.e., bring on in haste (1Sa 17:17; 2Ch 35:13), to Elohim,” viz., propitiating gifts; תּריץ being the predicate to ידיו, according to Ges. §146, 3.