Psa 85:2-4 | KD | STEP | The poet first of all looks back into the past, so rich in tokens of favour. The six perfects are a remembrance of former events, since nothing precedes to modify them. Certainly that which has just been experienced might also be intended; but then, as Hitzig supposes, would be the petition that preceded it, and would go back to the turning-point of the answering of the request - a retrograde movement which is less probable than that in shuwbeenuw, , we have a transition to the petition for a renewal of previously manifested favour. (שׁבית) שבּ שׁבוּת, here said of a cessation of a national judgment, seems to be meant literally, not figuratively (vid., ). רצה, with the accusative, to have and to show pleasure in any one, as in the likewise Korahitic lamentation- , cf. Psa 147:11. In sin is conceived of as a burden of the conscience; in as a blood-stain. The music strikes up in the middle of the strophe in the sense of the “blessed” in Psa 32:1. In God’s עברה (i.e., unrestrained wrath) appears as an emanation; He draws it back to Himself (אסף as in , ; ) when He ceases to be angry; in , on the other hand, the fierce anger is conceived of as an active manifestation on the part of God which ceases when He turns round (השׁיב, Hiph . as inwardly transitive as in ; ; cf. the Kal in ), i.e., gives the opposite turn to His manifestation.

‏ Psalms 85:2-4

The poet first of all looks back into the past, so rich in tokens of favour. The six perfects are a remembrance of former events, since nothing precedes to modify them. Certainly that which has just been experienced might also be intended; but then, as Hitzig supposes, Psa 85:5-8 would be the petition that preceded it, and Psa 85:9 would go back to the turning-point of the answering of the request - a retrograde movement which is less probable than that in shuwbeenuw, Psa 85:5, we have a transition to the petition for a renewal of previously manifested favour. (שׁבית) שבּ שׁבוּת, here said of a cessation of a national judgment, seems to be meant literally, not figuratively (vid., Psa 14:7). רצה, with the accusative, to have and to show pleasure in any one, as in the likewise Korahitic lamentation- Psa 44:4, cf. Psa 147:11. In Psa 85:3 sin is conceived of as a burden of the conscience; in Psa 85:3 as a blood-stain. The music strikes up in the middle of the strophe in the sense of the “blessed” in Psa 32:1. In Psa 85:4 God’s עברה (i.e., unrestrained wrath) appears as an emanation; He draws it back to Himself (אסף as in Joe 3:15, Psa 104:29; 1Sa 14:19) when He ceases to be angry; in Psa 85:4, on the other hand, the fierce anger is conceived of as an active manifestation on the part of God which ceases when He turns round (השׁיב, Hiph. as inwardly transitive as in Eze 14:6; Eze 39:25; cf. the Kal in Exo 32:12), i.e., gives the opposite turn to His manifestation. Psa 85:4-7

The poet now prays God to manifest anew the loving-kindness He has shown formerly. In the sense of “restore us again,” שׁוּבנוּ does not form any bond of connection between this and the preceding strophe; but it does it, according to Ges. §121, 4, it is intended in the sense of (אלינוּ) שׁוּב לנוּ, turn again to us. The poet prays that God would manifest Himself anew to His people as He has done in former days. Thus the transition from the retrospective perfects to the petition is, in the presence of the existing extremity, adequately brought about. Assuming the post-exilic origin of the Psalm, we see from this strophe that it was composed at a period in which the distance between the temporal and spiritual condition of Israel and the national restoration, promised together with the termination of the Exile, made itself distinctly felt. On עמּנוּ (in relation to and bearing towards us) beside כּעסך, cf. Job 10:17, and also on הפר, Psa 89:34. In the question in Psa 89:6 reminding God of His love and of His promise, משׁך has the signification of constant endless continuing or pursuing, as in Psa 36:11. The expression in Psa 85:7 is like Psa 71:20, cf. Psa 80:19; שׁוּב is here the representative of rursus, Ges. §142. ישׁעך from ישׁע, like קצפּך in Psa 38:2, has ĕ (cf. the inflexion of פּרי and חק) instead of the ı̆ in אלהי ישׁענוּ. Here at the close of the strophe the prayer turns back inferentially to this attribute of God.