Psa 87-88 | KD | STEP | The mission thought in becomes the ruling thought in this Korahitic Psalm. It is a prophetic Psalm in the style, boldly and expressively concise even to obscurity (Eusebius, σφόδρα αἰνιγματώδης καὶ σκοτεινῶς εἰρημένος), in which the first three oracles of the tetralogy , and the passage , - a passage designed to be as it were a memorial exhibition - are also written. It also resembles these oracles in this respect, that opens the whole arsis-like by a solemn statement of its subject, like the emblematical inscriptions there. As to the rest, is the key to its meaning. The threefold ילּד here corresponds to the threefold זה in that passage. Since Rahab and Babylon as the foremost worldly powers are mentioned first among the peoples who come into the congregation of Jahve, and since the prospect of the poet has moulded itself according to a present rich in promise and carrying such a future in its bosom, it is natural (with Tholuck, Hengstenberg, Vaihinger, Keil, and others) to suppose that the Psalm was composed when, in consequence of the destruction of the Assyrian army before Jerusalem, offerings and presents were brought from many quarters for Jahve and the king of Judah ( ), and the admiration of Hezekiah, the favoured one of God, had spread as far as Babylon. Just as Micah (Mic 4:10) mentions Babylon as the place of the chastisement and of the redemption of his nation, and as Isaiah, about the fourteenth year of Hezekiah’s reign, predicts to the king a carrying away of his treasures and his posterity to Babylon, so here Egypt and Babylon, the inheritress of Assyria, stand most prominent among the worldly powers that shall be obliged one day to bow themselves to the God of Israel. In a similar connection Isaiah ( ) does not as yet mention Babylon side by side with Egypt, but Assyria.

‏ Psalms 87

The City of the New Birth of the Nations

The mission thought in Psa 86:9 becomes the ruling thought in this Korahitic Psalm. It is a prophetic Psalm in the style, boldly and expressively concise even to obscurity (Eusebius, σφόδρα αἰνιγματώδης καὶ σκοτεινῶς εἰρημένος), in which the first three oracles of the tetralogy Isa 21:1, and the passage Isa 30:6, Isa 30:7 - a passage designed to be as it were a memorial exhibition - are also written. It also resembles these oracles in this respect, that Psa 87:1 opens the whole arsis-like by a solemn statement of its subject, like the emblematical inscriptions there. As to the rest, Isa 44:5 is the key to its meaning. The threefold ילּד here corresponds to the threefold זה in that passage.

Since Rahab and Babylon as the foremost worldly powers are mentioned first among the peoples who come into the congregation of Jahve, and since the prospect of the poet has moulded itself according to a present rich in promise and carrying such a future in its bosom, it is natural (with Tholuck, Hengstenberg, Vaihinger, Keil, and others) to suppose that the Psalm was composed when, in consequence of the destruction of the Assyrian army before Jerusalem, offerings and presents were brought from many quarters for Jahve and the king of Judah (2Ch 32:23), and the admiration of Hezekiah, the favoured one of God, had spread as far as Babylon. Just as Micah (Mic 4:10) mentions Babylon as the place of the chastisement and of the redemption of his nation, and as Isaiah, about the fourteenth year of Hezekiah’s reign, predicts to the king a carrying away of his treasures and his posterity to Babylon, so here Egypt and Babylon, the inheritress of Assyria, stand most prominent among the worldly powers that shall be obliged one day to bow themselves to the God of Israel. In a similar connection Isaiah (Isa 19:1) does not as yet mention Babylon side by side with Egypt, but Assyria. Psa 87:1-4

The poet is absorbed in the contemplation of the glory of a matter which he begins to celebrate, without naming it. Whether we render it: His founded, or (since מיסּד and מוּסּד are both used elsewhere as part. pass.): His foundation (after the form מלוּכה, poetically for יסוד, a founding, then that which is set fast = a foundation), the meaning remains the same; but the more definite statement of the object with שׁערי ציּון is more easily connected with what precedes by regarding it as a participle. The suffix refers to Jahve, and it is Zion, whose praise is a favourite theme of the Korahitic songs, that is intended. We cannot tell by looking to the accents whether the clause is to be taken as a substantival clause (His founded city is upon the holy mountains) or not. Since, however, the expression is not יסוּדתו היא בהררי־קדשׁ, יסודתו בהררי קדשׁ is an object placed first in advance (which the antithesis to the other dwellings of Jacob would admit of), and in Psa 87:2 a new synonymous object is subordinated to אהב by a similar turn of the discourse to Jer 13:27; Jer 6:2 (Hitzig). By altering the division of the verses as Hupfeld and Hofmann do (His foundation or founded city upon the holy mountains doth Jahve love), Psa 87:2 is decapitated. Even now the God-founded city (surrounded on three sides by deep valleys), whose firm and visible foundation is the outward manifestation of its imperishable inner nature, rises aloft above all the other dwelling-places of Israel. Jahve stands in a lasting, faithful, loving relationship (אהב, not 3 praet. אהב) to the gates of Zion. These gates are named as a periphrasis for Zion, because they bound the circuit of the city, and any one who loves a city delights to go frequently through its gates; and they are perhaps mentioned in prospect of the fulness of the heathen that shall enter into them. In Psa 87:3 the lxx correctly, and at the same time in harmony with the syntax, renders: Δεδοξασμένα ἐλαλήθη περὶ σοῦ. The construction of a plural subject with a singular predicate is a syntax common in other instances also, whether the subject is conceived of as a unity in the form of the plural (e.g., Psa 66:3; Psa 119:137; Isa 16:8), or is individualized in the pursuance of the thought (as is the case most likely in Gen 27:29, cf. Psa 12:3); here the glorious things are conceived of as the sum-total of such. The operation of the construction of the active (Ew. §295, b) is not probable here in connection with the participle. בּ beside דּבּר may signify the place or the instrument, substance and object of the speech (e.g., Psa 119:46), but also the person against whom the words are spoken (e.g., Psa 50:20), or concerning whom they are uttered (as the words of the suitor to the father or the relatives of the maiden, 1Sa 25:39; Sol 8:8; cf. on the construction, 1Sa 19:3). The poet, without doubt, here refers to the words of promise concerning the eternal continuance and future glory of Jerusalem: Glorious things are spoken, i.e., exist as spoken, in reference to thee, O thou city of God, city of His choice and of His love.

The glorious contents of the promise are now unfolded, and that with the most vivid directness: Jahve Himself takes up the discourse, and declares the gracious, glorious, world-wide mission of His chosen and beloved city: it shall become the birth-place of all nations. Rahab is Egypt, as in Psa 89:11; Isa 30:7; Isa 51:9, the southern worldly power, and Babylon the northern. הזכּיר, as frequently, of loud (Jer 4:16) and honourable public mention or commemoration, Ps 45:18. It does not signify “to record or register in writing;” for the official name מזכּיר, which is cited in support of this meaning, designates the historian of the empire as one who keeps in remembrance the memorable events of the history of his time. It is therefore impossible, with Hofmann, to render: I will add Rahab and Babylon to those who know me. In general ל is not used to point out to whom the addition is made as belonging to them, but for what purpose, or as what (cf. 2Sa 5:3; Isa 4:3), these kingdoms, hitherto hostile towards God and His people, shall be declared: Jahve completes what He Himself has brought about, inasmuch as He publicly and solemnly declares them to be those who know Him, i.e., those who experimentally (vid., Psa 36:11) know Him as their God. Accordingly, it is clear that זה ילּד־שׁם is also meant to refer to the conversion of the other three nations to whom the finger of God points with הנּה, viz., the war-loving Philistia, the rich and proud Tyre, and the adventurous and powerful Ethiopia (Isa 18:1-7). זה does not refer to the individuals, nor to the sum-total of these nations, but to nation after nation (cf. זה העם, Isa 23:13), by fixing the eye upon each one separately. And שׁם refers to Zion. The words of Jahve, which come in without any intermediary preparation, stand in the closest connection with the language of the poet and seer. Zion appears elsewhere as the mother who brings forth Israel again as a numerous people (Isa 66:7; Psa 54:1-3): it is the children of the dispersion (diaspora) which Zion regains in Isa 60:4.; here, however, it is the nations which are born in Zion. The poet does not combine with it the idea of being born again in the depth of its New Testament meaning; he means, however, that the nations will attain a right of citizenship in Zion (πολιτεία τοῦ Ἰσραήλ, Eph 2:12) as in their second mother-city, that they will therefore at any rate experience a spiritual change which, regarded from the New Testament point of view, is the new birth out of water and the Spirit. Psa 87:5-7

Inasmuch now as the nations come thus into the church (or congregation) of the children of God and of the children of Abraham, Zion becomes by degrees a church immeasurably great. To Zion, however, or of Zion (ל of reference to), shall it be said אישׁ ואישׁ ילּד־בּהּ. Zion, the one city, stands in contrast to all the countries, the one city of God in contrast to the kingdoms of the world, and אישׁ ואישׁ in contrast to זה. This contrast, upon the correct apprehension of which depends the understanding of the whole Psalm, is missed when it is said, “whilst in relation to other countries it is always only the whole nation that comes under consideration, Zion is not reckoned up as a nation, but by persons” (Hofmann). With this rendering the ילּד retires into the background; in that case this giving of prominence to the value of the individual exceeds the ancient range of conception, and it is also an inadmissible appraisement that in Zion each individual is as important as a nation as a whole. Elsewhere אישׁ אישׁ, Lev 17:10, Lev 17:13, or אישׁ ואישׁ, Est 1:8, signifies each and every one; accordingly here אישׁ ואישׁ (individual and, or after, individual) affirms a progressus in infinitum, where one is ever added to another. Of an immeasurable multitude, and of each individual in this multitude in particular, it is said that he was born in Zion. Now, too, והוּא כוננה עליון has a significant connection with what precedes. Whilst from among foreign peoples more and more are continually acquiring the right of natives in Zion, and thus are entering into a new national alliance, so that a breach of their original national friendships is taking place, He Himself (cf. 1Sa 20:9), the Most High, will uphold Zion (Psa 48:9), so that under His protection and blessing it shall become ever greater and more glorious. Psa 87:6 tells us what will be the result of such a progressive incorporation in the church of Zion of those who have hitherto been far removed, viz., Jahve will reckon when He writeth down (כּתוב as in Jos 18:8) the nations; or better - since this would more readily be expressed by בּכתבו, and the book of the living (Isa 4:3) is one already existing from time immemorial - He will reckon in the list (כתוב after the form חלום, חלו, פּקוד = כּתב, Eze 13:9) of the nations, i.e., when He goes over the nations that are written down there and chosen for the coming salvation, “this one was born there;” He will therefore acknowledge them one after another as those born in Zion. The end of all history is that Zion shall become the metropolis of all nations. When the fulness of the Gentiles is thus come in, then shall all and each one as well singing as dancing say (supply יאמרוּ): All my fountains are in thee. Among the old translators the rendering of Aquila is the best: καὶ ᾄδοντες ὡς χοροί· πᾶσαι πηγαὶ ἐν σοί, which Jerome follows, et cantores quasi in choris: omnes fontes mei in te. One would rather render cholaliym, “flute-players” (lxx ὡς ἐν αὐλοῖς); but to pipe or play the flute is חלּל (a denominative from חליל), 1Ki 1:40, whereas to dance is חלל (Pilel of חוּל); it is therefore = מחוללים, like לצצים, Hos 7:5. But it must not moreover be rendered, “And singers as well as dancers (will say);” for “singers” is משׁררים, not שׁרים, which signifies cantantes, not cantores. Singing as dancing, i.e., making known their festive joy as well by the one as by the other, shall the men of all nations incorporated in Zion say: All my fountains, i.e., fountains of salvation (after Isa 12:3), are in thee (O city of God). It has also been interpreted: my looks (i.e., the object on which my eye is fixed, or the delight of my eyes), or: my thoughts (after the modern Hebrew עיּן of spiritual meditation); but both are incongruous. The conjecture, too, of Böttcher, and even before him of Schnurrer (Dissertationes, p. 150), כל־מעיני, all who take up their abode (instead of which Hupfeld conjectures מעיני, all my near-dwellers, i.e., those who dwell with me under the same roof) ^{▼▼Hupfeld cites Rashi as having thus explained it; but his gloss is to be rendered: my whole inmost part (after the Aramaic = מעי) is with thee, i.e., they salvation.)}, is not Hebrew, and deprives us of the thought which corresponds to the aim of the whole, that Jerusalem shall be universally regarded as the place where the water of life springs for the whole of mankind, and shall be universally praised as this place of fountains.

‏ Psalms 88

Plaintive Prayer of a Patient Sufferer Like Job

Psalms 88 is as gloomy as Psa 87:1-7 is cheerful; they stand near one another as contrasts. Not Ps 77, as the old expositors answer to the question quaenam ode omnium tristissima, but this Psalms 88 is the darkest, gloomiest, of all the plaintive Psalms; for it is true the name “God of my salvation,” with which the praying one calls upon God, and his praying itself, show that the spark of faith within him is not utterly extinguished; but as to the rest, it is all one pouring forth of deep lament in the midst of the severest conflict of temptation in the presence of death, the gloom of melancholy does not brighten up to become a hope, the Psalm dies away in Job-like lamentation. Herein we discern echoes of the Korahitic Psa 42:1-11 and of Davidic Psalms: compare Psa 88:3 with Psa 18:7; Psa 88:5 with Psa 28:1; Psa 88:6 with Psa 31:23; Psa 88:18 with Psa 22:17.; v. 19 (although differently applied) with Psa 31:12; and more particularly the questions in Psa 88:11-13 with Psa 6:6, of which they are as it were only the amplification. But these Psalm-echoes are outweighed by the still more striking points of contact with the Book of Job, both as regards linguistic usage (דּאב, Psa 88:10, Job 14:14; רפאים, Psa 88:11, Job 26:5; אבדּון, Psa 88:12, Job 26:6; Job 28:22; נער, Psa 88:16, Job 33:25; Job 36:14; אמים, Psa 88:16, Job 20:25; בּעוּתים, Psa 88:17, Job 6:4) and single thoughts (cf. Psa 88:5 with Job 14:10; Psa 88:9 with Job 30:10; v. 19 with Job 17:9; Job 19:14), and also the suffering condition of the poet and the whole manner in which this finds expression. For the poet finds himself in the midst of the same temptation as Job not merely so far as his mind and spirit are concerned; but his outward affliction is, according to the tenor of his complaints, the same, viz., the leprosy (Psa 88:9), which, the disposition to which being born with him, has been his inheritance from his youth up (Psa 88:16). Now, since the Book of Job is a Chokma-work of the Salomonic age, and the two Ezrahites belonged to the wise men of the first rank at the court of Solomon (1Ki 4:31), it is natural to suppose that the Book of Job has sprung out of this very Chokma-company, and that perhaps this very Heman the Ezrahite who is the author of Psalms 88 has made a passage of his own life, suffering, and conflict of soul, a subject of dramatic treatment.

The inscription of the Psalm runs: A Psalm-song by the Korahites; to the Precentor, to be recited (lit., to be pressed down, not after Isa 27:2 : to be sung, which expresses nothing, nor: to be sung alternatingly, which is contrary to the character of the Psalm) after a sad manner (cf. Psa 53:1) with muffled voice, a meditation by Heman the Ezrahite. This is a double inscription, the two halves of which are contradictory. The bare להימן side by side with לבני־קרח would be perfectly in order, since the precentor Heman is a Korahite according to 1Ch 6:33-38; but חימן האזרחי is the name of one of the four great Israelitish sages in 1Ki 4:31, who, according to 1Ch 2:6, is a direct descendant of Zerah, and therefore is not of the tribe of Levi, but of Judah. The suppositions that Heman the Korahite had been adopted into the family of Zerah, or that Heman the Ezrahite had been admitted among the Levites, are miserable attempts to get over the difficulty. At the head of the Psalm there stand two different statements respecting its origin side by side, which are irreconcilable. The assumption that the title of the Psalm originally was either merely שׁיר מזמור לבני־קרח, or merely למנצח וגו, is warranted by the fact that only in this one Psalm למנצח does not occupy the first place in the inscriptions. But which of the two statements is the more reliable one? Most assuredly the latter; for שׁיר מזמור לבני־קרח is only a recurrent repetition of the inscription of Psa 87:1-7. The second statement, on the other hand, by its precise designation of the melody, and by the designation of the author, which corresponds to the Psalm that follows, gives evidence of its antiquity and its historical character. Psa 88:1-7

The poet finds himself in the midst of circumstances gloomy in the extreme, but he does not despair; he still turns towards Jahve with his complaints, and calls Him the God of his salvation. This actus directus of fleeing in prayer to the God of salvation, which urges its way through all that is dark and gloomy, is the fundamental characteristic of all true faith. Psa 88:2 is not to be rendered, as a clause of itself: “by day I cry unto Thee, in the night before Thee” (lxx and Targum), which ought to have been יומם, but (as it is also pointed, especially in Baer’s text): by day, i.e., in the time (Psa 56:4; Psa 78:42, cf. Psa 18:1), when I cry before Thee in the night, let my prayer come... (Hitzig). In Psa 88:3 he calls his piercing lamentation, his wailing supplication, רנּתי, as in Psa 17:1; Psa 61:2. הטּה as in Psa 86:1, for which we find הט in Psa 17:6. The Beth of בּרעות, as in Psa 65:5; Lam 3:15, Lam 3:30, denotes that of which his soul has already had abundantly sufficient. On Psa 88:4, cf. as to the syntax Psa 31:11. איל (ἅπαξ λεγομ. like אילוּת, Psa 22:20) signifies succinctness, compactness, vigorousness (ἁδρότης): he is like a man from whom all vital freshness and vigour is gone, therefore now only like the shadow of a man, in fact like one already dead. חפשׁי, in Psa 88:6, the lxx renders ἐν νεκροῖς ἐλεύθερος (Symmachus, ἀφεὶς ἐλεύθερος); and in like manner the Targum, and the Talmud which follows it in formulating the proposition that a deceased person is חפשׁי מן חמצוות, free from the fulfilling of the precepts of the Law (cf. Rom 6:7). Hitzig, Ewald, Köster, and Böttcher, on the contrary, explain it according to Eze 27:20 (where חפשׁ signifies stragulum): among the dead is my couch (חפשׁי = יצועי, Job 17:13). But in respect of Job 3:19 the adjectival rendering is the more probable; “one set free among the dead” (lxx) is equivalent to one released from the bond of life (Job 39:5), somewhat as in Latin a dead person is called defunctus. God does not remember the dead, i.e., practically, inasmuch as, devoid of any progressive history, their condition remains always the same; they are in fact cut away (נגזר as in Psa 31:23; Lam 3:54; Isa 53:8) from the hand, viz., from the guiding and helping hand, of God. Their dwelling-place is the pit of the places lying deep beneath (cf. on תּחתּיּות, Psa 63:10; Psa 86:13; Eze 26:20, and more particularly Lam 3:55), the dark regions (מחשׁכּים as in Psa 143:3, Lam 3:6), the submarine depths (בּמצלות; lxx, Symmachus, the Syriac, etc.: ἐν σκιᾷ θανάτου = בצלמות, according to Job 10:21 and frequently, but contrary to Lam 3:54), whose open abyss is the grave for each one. On Psa 88:8 cf. Psa 42:8. The Mugrash by כל־משׁבריך stamps it as an adverbial accusative (Targum), or more correctly, since the expression is not עניתני, as the object placed in advance. Only those who are not conversant with the subject (as Hupfeld in this instance) imagine that the accentuation marks ענּית as a relative clause (cf. on the contrary Psa 8:7, Psa 21:3, etc.). ענּה, to bow down, press down; here used of the turning or directing downwards (lxx ἐπήγαγες) of the waves, which burst like a cataract over the afflicted one. Psa 88:8-12

The octastichs are now followed by hexastichs which belong together in pairs. The complaint concerning the alienation of his nearest relations sounds like Job 19:13., but the same strain is also frequently heard in the earlier Psalms written in times of suffering, e.g., Psa 31:9. He is forsaken by all his familiar friends (not: acquaintances, for מידּע signifies more than that), he is alone in the dungeon of wretchedness, where no one comes near him, and whence he cannot make his escape. This sounds, according to Lev. 13, very much like the complaint of a leper. The Book of Leviticus there passes over from the uncleanness attending the beginning of human life to the uncleanness of the most terrible disease. Disease is the middle stage between birth and death, and, according to the Eastern notion, leprosy is the worst of all diseases, it is death itself clinging to the still living man (Num 12:12), and more than all other evils a stroke of the chastening hand of God (נגע), a scourge of God (צרעת). The man suspected of having leprosy was to be subjected to a seven days’ quarantine until the determination of the priest’s diagnosis; and if the leprosy was confirmed, he was to dwell apart outside the camp (Lev 13:46), where, though not imprisoned, he was nevertheless separated from his dwelling and his family (cf. Job, at Job 19:19), and if a man of position, would feel himself condemned to a state of involuntary retirement. It is natural to refer the כּלא, which is closely connected with שׁתּני, to this separation. עיני, Psa 88:10, instead of עיני, as in Psa 6:8; Psa 31:10 : his eye has languished, vanished away (דּאב of the same root as tābescere, cognate with the root of דּונג, Psa 68:3), in consequence of (his) affliction. He calls and calls upon Jahve, stretches out (שׁטּח, expandere, according to the Arabic, more especially after the manner of a roof) his hands (palmas) towards Him, in order to shield himself from His wrath and to lead Him compassionately to give ear to him. In Psa 88:11-13 he bases his cry for help upon a twofold wish, viz., to become an object of the miraculous help of God, and to be able to praise Him for it. Neither of these wishes would be realized if he were to die; for that which lies beyond this life is uniform darkness, devoid of any progressive history. With מתים alternates רפאים (sing. רפא), the relaxed ones, i.e., shades (σκιαὶ) of the nether world. With reference to יודוּ instead of להודות, vid., Ewald, §337, b. Beside חשׁך (Job 10:21.) stands ארץ נשׁיּה, the land of forgetfulness (λήθη), where there is an end of all thinking, feeling, and acting (Ecc 9:5-6, Ecc 9:10), and where the monotony of death, devoid of thought and recollection, reigns. Such is the representation given in the Old Testament of the state beyond the present, even in Ecclesiastes, and in the Apocrypha (Sir. 17:27f. after Isa 38:18.; Baruch 2:17f.); and it was obliged to be thus represented, for in the New Testament not merely the conception of the state after death, but this state itself, is become a different one. Psa 88:13-18

He who complains thus without knowing any comfort, and yet without despairing, gathers himself up afresh for prayer. With ואני he contrasts himself with the dead who are separated from God’s manifestation of love. Being still in life, although under wrath that apparently has no end, he strains every nerve to struggle through in prayer until he shall reach God’s love. His complaints are petitions, for they are complaints that are poured forth before God. The destiny under which for a long time he has been more like one dying than living, reaches back even into his youth. מנּער (since נער is everywhere undeclined) is equivalent to מנּערי. The ἐξηπορήθην of the lxx is the right indicator for the understanding of the ἅπαξ λ.ε.γ. אפוּנה. Aben-Ezra and Kimchi derive it from פּן, like עלה from על, ^{▼▼The derivation is not contrary to the genius of the language; the supplementing productive force of the language displayed in the liturgical poetry of the synagogue, also changes particles into verbs: vid., Zunz, Die synagogaie Poesie des Mittelalters, S. 421.} and assign to it the signification of dubitare. But it may be more safely explained after the Arabic words Arab. afana , afina , ma'fûn (root 'f, to urge forwards, push), in which the fundamental notion of driving back, narrowing and exhausting, is transferred to a weakening or weakness of the intellect. We might also compare פּנה, Arab. faniya, “to disappear, vanish, pass away;” but the ἐξηπορήθην of the lxx favours the kinship with that Arab. afina , infirma mente et consilii inops fuit, ^{▼▼Abulwalîd also explains אפוּנה after the Arabic, but in a way that cannot be accepted, viz., “for a long time onwards,” from the Arabic iffân ( ibbân , iff , afaf , ifâf , taiffah ), time, period - time conceived of in the onward rush, the constant succession of its moments.} which has been already compared by Castell. The aorist of the lxx, however, is just as erroneous in this instance as in Psa 42:5; Psa 55:3; Psa 57:5. In all these instances the cohortative denotes the inward result following from an outward compulsion, as they say in Hebrew: I lay hold of trembling (Isa 13:8; Job 18:20; Job 21:6) or joy (Isa 35:10; Isa 51:11), when the force of circumstances drive one into such states of mind. Labouring under the burden of divine dispensations of a terrifying character, he finds himself in a state of mental weakness and exhaustion, or of insensible (senseless) fright; over him as their destined goal before many others go God’s burnings of wrath (plur. only in this instance), His terrible decrees (vid., concerning בעת on Psa 18:5) have almost annihilated him. צמּתתוּני is not an impossible form (Olshausen, §251, a), but an intensive form of צמּתוּ, the last part of the already inflected verb being repeated, as in עהבוּ הבוּ, Hos 4:18 (cf. in the department of the noun, פּיפיּות, edge-edges = many edges, Psa 149:6), perhaps under the influence of the derivative. ^{▼▼Heidenheim interprets: Thy terrors are become to me as צמתת (Lev 25:23), i.e., inalienably my own.}

The corrections צמתּתני (from צמתת) or צמּתתני (from צמּת) are simple enough; but it is more prudent to let tradition judge of that which is possible in the usage of the language. In Psa 88:18 the burnings become floods; the wrath of God can be compared to every destroying and overthrowing element. The billows threaten to swallow him up, without any helping hand being stretched out to him on the part of any of his lovers and friends. In v. 19 a to be now explained according to Job 16:14, viz., My familiar friends are gloomy darkness; i.e., instead of those who were hitherto my familiars (Job 19:14), darkness is become my familiar friend? One would have thought that it ought then to have been מידּעי (Schnurrer), or, according to Pro 7:4, מודעי, and that, in connection with this sense of the noun, מחשׁך ought as subject to have the precedence, that consequently מידּעי is subject and מחשׁך predicate: my familiar friends have lost themselves in darkness, are become absolutely invisible (Hitzig at last). But the regular position of the words is kept to if it is interpreted: my familiar friends are reduced to gloomy darkness as my familiar friend, and the plural is justified by Job 19:14 : Mother and sister (do I call) the worm. With this complaint the harp falls from the poet’s hands. He is silent, and waits on God, that He may solve this riddle of affliction. From the Book of Job we might infer that He also actually appeared to him. He is more faithful than men. No soul that in the midst of wrath lays hold upon His love, whether with a firm or with a trembling hand, is suffered to be lost.